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THE WORLD'S THINNEST FAT MAN

A strange, witty, and not always likable protagonist headlines this assemblage of diverting tales.

Taylor’s collection of short stories revolves around a Kentucky-born man’s life of misadventures and failed romances.

Josey stops by a New Orleans voodoo shop in “The Woman Who Wouldn’t Talk, the Man Who Wouldn’t Listen.” He’s there specifically to see Madame LaBonne, hoping she can do something about his peculiar circumstances—his love, Sally, has run off with another woman. This is just one of 18 stories featuring Josey throughout his life, set in such places as West Palm Beach and his hometown of Lexington, Kentucky. Life has its ups and downs—mostly comical downs—in this collection. Josey winds up on a blind date in the story “Faithful Companion,” in which a woman named Sarah takes him to the dentist’s office next to her apartment. She promises him a surprise, but the dentist’s unforeseen arrival may upend whatever she has planned. Josey gradually develops into the “world’s thinnest fat man”; for the socially inept Josey, the appellation represents the “hot air” he tends to spew. Sometimes he’s a spectator in tales that focus on other characters, from a co-worker who tries to kick alcohol by switching to heroin to the University of Kentucky campus barber who vows to take revenge on whoever kicked a dent into his Cadillac convertible. “Meanwhile on Limestone Street: Time, Mass, and Energy Masquerade as Free Will” best exemplifies this collection’s theme and central character, with its titular street in Lexington sparking memories of ex-lovers and familiar spots, including the U.K. bookstore where Josey was a trade book buyer for five years.

Taylor dishes out much quirkiness and many laughs in this book. One story finds Josey determined to identify the “Phantom Tipper” who leaves waiters $500 bills, while in another story, on a friend’s advice, he makes a date with a woman in Florida nearly a month in advance. Not all the humor lands, however. Josey seems to revel in being “politically incorrect,” which entails intermittent uses of racial and homophobic slurs in what are meant to be humorous ways. Standouts among the stories’ supporting casts include Madame LaBonne and some would-be thieves in her shop; Darlene, an ex whose mere memory evidently flusters Josey; and an unexpectedly easygoing stranger at a Florida bar. The stories also delve into serious subject matter; “Alpha and Omega” shines a bright light on Catholicism, followed by “The Evening Star Is Not a Star,” in which Josey’s pal Jeff proposes a risky dive off a pier at high tide. Taylor’s writing is consistently clever, and he occasionally plays with narrative perspectives and timelines. Josey doesn’t always narrate the stories. In “Meanwhile,” an omniscient narrator relays bits and pieces of Josey’s life and, at one point, apparently coaxes him into action: “Hold up, Josey. Could you trot back a few steps? Pretty please?” Similarly, “Judas” opens with his first-person perspective, which almost instantly shifts to Josey imagining the point of view of young Leslie, a girl he once spent a Saturday with tracking down a local peacock.
A strange, witty, and not always likable protagonist headlines this assemblage of diverting tales.

Pub Date: Jan. 27, 2024

ISBN: 9781604893830

Page Count: 200

Publisher: N/A

Review Posted Online: March 15, 2024

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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