by Joe Taylor ‧ RELEASE DATE: May 15, 2023
An ominous, often alienating piece of experimental fiction set along a hellish highway.
A man journeys along a nightmarish path in Taylor’s experimental novel.
Highway 28 West is a desolate place. It’s a stretch of road where “everything takes at least two hours or two days or two months or two years longer than it should,” as one resident puts it. “Unless it’s something bad, and then it happens a lot quicker than it should…” Along its winding route are trailer parks, ponds, and houses of worship like the Eternal Truth of Jesus Christ on Calvary Church. It’s home to vultures, roadkill, 18-wheelers hauling pine, and, in the winter, enough snow to strand a traveler in his tracks. That’s what happens to Preacher. Preacher isn’t really a preacher—he goes by a nickname he picked up in high school. His actual beliefs about God—or anything else for that matter—are rather ambivalent. When his pick-up truck stalls on the snowy highway, he approaches a trailer home to ask to use the phone and interrupts a couple in the midst of a screaming match. The wife invites Preacher to stay for coffee while the man steps away to sneak some whiskey in the bathroom. The wife takes the opportunity to seduce Preacher, then tells him of her plan to murder her husband with the shotgun hanging above the fireplace. Fleeing the trailer and impending murder, Preacher visits another one nearby, where a woman cares for her sick husband and son. The very next day, after getting his truck fixed, Preacher wanders into the Eternal Truth of Jesus Christ on Calvary Church only to discover a joint funeral for the boy and his father. These are just the first of several strange encounters Preacher experiences driving up and down Highway 28 West. He also finds a pit-bull puppy and a dead man, takes a job at a boxing plant, fails to help two teenagers drowning in a pond, and witnesses a mass shooting at a high school pep rally.
The novel is formatted like a play: Preacher recounts his adventures as monologues delivered to a crowd of people, many of whom have heard aspects of the story from other sources. They shout out comments, observations, and critiques of Preacher’s storytelling ability (during the telling of the anecdote about the arguing couple, one crowd member shouts, upon learning of the shotgun, “Just shoot the damn thing!”). Some members of the crowd have distinct personalities, like Lizzie, the “Girl Poet in Crowd,” who offers cryptic verses now and again between Preacher’s speeches. The stories Preacher tells are hard to make sense of—they have the fluidity and ambiguity of religious allegory, and both Preacher and the crowd often have difficulty assessing their meaning; the format itself adds an additional layer of abstraction. Preacher sometimes tells his stories in the first person, sometimes in the third, and there’s a slipperiness to the time and setting. Fans of Samuel Beckett and other aggressively postmodern writers may enjoy picking apart the layers of Preacher’s dreamlike soliloquies, but most readers will probably be left baffled by this difficult-to-parse work.
An ominous, often alienating piece of experimental fiction set along a hellish highway.Pub Date: May 15, 2023
ISBN: 9781952386602
Page Count: 120
Publisher: Sagging Meniscus Press
Review Posted Online: April 21, 2023
Review Program: Kirkus Indie
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by Joe Taylor
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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