A comically eccentric detective gets a terrific and fitting send-off.
In this fourth installment of a series, a private eye—out of commission for nearly a year—tries to regain lost memories and stumbles on a nefarious plot.
Sixty-year-old Max Bowman has no idea how he ended up in “the Community.” He knows he’s a former CIA operative, but the last few years of his life are a blank. After Howard, an old friend, visits, Max learns he’s in a Florida retirement home (of sorts) for agents who may know too much. He stops taking his medicine and makes a daring escape via motorized cart. But the life he’s slowly remembering has drastically changed in only 10 months. His girlfriend, Angela Davidson, has wed lobbyist Dudley “Duds” DeCosta. It’s not a happy marriage and Duds readily agrees to a divorce at Max’s request. The condition is that the private investigator must attend fundraisers for Sen. Eddie di Pineda’s reelection campaign. Max’s vouching for him will ease the senator’s ties to conspiracies swirling around the detective’s last few cases. At the same time, Max believes an enemy he thought he killed is still alive, at least according to cryptic, grammatically inaccurate texts he’s receiving. Soon, the PI and Angela’s son, Jeremy, called PMA (for Power, Mind, Action), find themselves in the middle of another conspiracy of worldwide proportions. As in earlier books, Canfield’s (Red Earth, 2017, etc.) latest entry—supposedly the final volume starring Max—boasts an often humorous tale and a progressively convoluted plot. Though initially the hero is simply piecing together returning memories, the story ultimately focuses on the mysterious yet clearly sinister scheme. But the best moments involve Max’s reunion with Angela and PMA. Max even acts like a nosy father to “the kid,” asking about his love life and offering his unsolicited opinion that PMA’s last boyfriend “wasn’t the right guy.” Max has been cynical throughout the series, but in this bracing and enjoyable tale, readers will surely sympathize with him as he hears what he’s missed (primarily in 2017). His reaction to Donald Trump as president and Coke Zero becoming Coke Zero Sugar is apropos: “What the hell had happened to the world in the past ten months?”
A comically eccentric detective gets a terrific and fitting send-off.Pub Date: Sept. 24, 2019
ISBN: 978-0-9975707-3-1
Page Count: 376
Publisher: joined at the hip
Review Posted Online: Dec. 16, 2019
Kirkus Reviews Issue: Feb. 1, 2020
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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