An energetic and captivating swords-and-sorcery tale that bodes well for the next book in the series.
A powerful team investigates a string of mysterious massacres in this fantasy novel.
Trouble has come to the forests and mountains of northern Albyn. Rural temples, offshoots of the beloved central Temple in the thriving city of Bandirma, have become the sites of strange slaughters. Runes and symbols are written on the floor in blood, and desiccated corpses have been drained of their life force. Three potent emissaries from the Temple are sent to investigate: Lord Bradon, a mighty warrior leading an army; Sir Killock, a skilled and solitary knight accompanied by his protégée tracker, the sly ex-thief Wyn; and Southern foreigner Lady Danielle d’Lavandou, who wields her family’s ancestral weapon, a blade that once smote the legendary Nameless King. The ritualistic murders seem to imply the return of the Crunorix, a death cult devoted to the Nameless King’s magi. Gifted with the ability to use magic Devices such as an enchanted battle hammer or a guiding amulet, the group pursues the cultists, leading it into an underground realm and dangerous battles with zombielike husks, deadly wights, and a dark force growing in power, not only in the mountains of Albyn, but also in the heart of the Temple itself. As the quest proceeds, Danielle and Wyn fall in love, a tentative pairing with grave implications for Danielle’s ancestral right to wield the Martyr’s Blade. In this series opener, Manners (The Artificer’s Tale, 2017, etc.) creates a complex world with a complete culture, religion, and history. His characters are broadly likable, and some of the novel’s highlights involve the banter between these old friends. Though Albyn, with its rogue-filled taverns and deep forests, will feel familiar to many fantasy fans, underground settings are intriguingly sinister and unique. The author fashions tunnels and caverns where time and space behave strangely and madness threatens intruders. Danielle emerges as a strong central character, formidable and confident while still vulnerable and thoughtful. Wyn spouts slangy sayings but the development of her interior life can’t quite match Danielle’s, which mutes the impact of their romance. In this intricate, if at times overloaded, story, the ritualists and monsters never become bracing villains. But a figure emerging near the end of this volume seems to promise a more striking opponent in the next installment.
An energetic and captivating swords-and-sorcery tale that bodes well for the next book in the series.Pub Date: Feb. 10, 2016
ISBN: 978-0-9972594-0-7
Page Count: 596
Publisher: Colquhoun Books
Review Posted Online: March 24, 2018
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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