by Joel Manners ‧ RELEASE DATE: Feb. 10, 2016
An energetic and captivating swords-and-sorcery tale that bodes well for the next book in the series.
A powerful team investigates a string of mysterious massacres in this fantasy novel.
Trouble has come to the forests and mountains of northern Albyn. Rural temples, offshoots of the beloved central Temple in the thriving city of Bandirma, have become the sites of strange slaughters. Runes and symbols are written on the floor in blood, and desiccated corpses have been drained of their life force. Three potent emissaries from the Temple are sent to investigate: Lord Bradon, a mighty warrior leading an army; Sir Killock, a skilled and solitary knight accompanied by his protégée tracker, the sly ex-thief Wyn; and Southern foreigner Lady Danielle d’Lavandou, who wields her family’s ancestral weapon, a blade that once smote the legendary Nameless King. The ritualistic murders seem to imply the return of the Crunorix, a death cult devoted to the Nameless King’s magi. Gifted with the ability to use magic Devices such as an enchanted battle hammer or a guiding amulet, the group pursues the cultists, leading it into an underground realm and dangerous battles with zombielike husks, deadly wights, and a dark force growing in power, not only in the mountains of Albyn, but also in the heart of the Temple itself. As the quest proceeds, Danielle and Wyn fall in love, a tentative pairing with grave implications for Danielle’s ancestral right to wield the Martyr’s Blade. In this series opener, Manners (The Artificer’s Tale, 2017, etc.) creates a complex world with a complete culture, religion, and history. His characters are broadly likable, and some of the novel’s highlights involve the banter between these old friends. Though Albyn, with its rogue-filled taverns and deep forests, will feel familiar to many fantasy fans, underground settings are intriguingly sinister and unique. The author fashions tunnels and caverns where time and space behave strangely and madness threatens intruders. Danielle emerges as a strong central character, formidable and confident while still vulnerable and thoughtful. Wyn spouts slangy sayings but the development of her interior life can’t quite match Danielle’s, which mutes the impact of their romance. In this intricate, if at times overloaded, story, the ritualists and monsters never become bracing villains. But a figure emerging near the end of this volume seems to promise a more striking opponent in the next installment.An energetic and captivating swords-and-sorcery tale that bodes well for the next book in the series.
Pub Date: Feb. 10, 2016
Page Count: 596
Publisher: Colquhoun Books
Review Posted Online: March 24, 2018
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Awards & Accolades
Best Books Of 2015
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.The phrase “tour de force” could have been invented for this audacious novel.
Pub Date: March 10, 2015
Page Count: 720
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….A strict report, worthy of sympathy.
Pub Date: June 15, 1951
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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