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THE PARTISAN

THE LIFE OF WILLIAM REHNQUIST

The Rehnquist legacy harshly gaveled down.

A much-awarded legal journalist serves up an investigative biography of the controversial, late chief justice.

Famously distrustful of the press, William Rehnquist (1924–2005) divulged little about himself during his three decades on the nation’s highest court. CQ Press president and publisher Jenkins (Ladies’ Man: The Life and Trials of Marvin Mitchelson, 1992, etc.) uncovers some nuggets about the private man, some amusing—he loved making small wagers on almost any proposition; he drafted a novel repeatedly rejected by publishers—some startling—during the early 1980s “he was desperately, abusively addicted to prescription pain killers.” The author credits Rehnquist with high intelligence and good humor and persuasively argues that his temperament most closely resembled his ideological counterpart, the iconoclastic William O. Douglas. He uncovers the origins of Rehnquist’s conservatism and explores his law school career, his clerkship under Robert Jackson, his rise in the Goldwater and his tenure in the Mitchell Justice Department under Nixon. But when he turns to Rehnquist’s jurisprudence, Jenkins unrelentingly scorns the man he blames for the court’s current politicization. He flays Rehnquist as an unprincipled conservative who looked first to the desired result and only then to the reasoning, who valued efficiency over justice, who ignored precedent, who favored broad governmental power over civil rights, who lacked any “consistent constitutional theory” save for his own consistently “reactionary ideology.” Many of our laws later conformed to the famously lone dissents of Rehnquist’s early career, but Jenkins attributes this not to the chief’s leadership, but rather to the court’s changing composition. As with many court commentators, Jenkins equates “maturation” or “growth” with change, almost always a change from right to left. That Rehnquist “could not evolve,” the author takes as a huge black mark against the man who “made it respectable to be an expedient conservative on the Court.”

The Rehnquist legacy harshly gaveled down.

Pub Date: Oct. 2, 2012

ISBN: 978-1586488871

Page Count: 336

Publisher: PublicAffairs

Review Posted Online: Aug. 12, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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