Mr. Barth's grandiose novel is constructed as an elaborate Conceit: the World is a University. Thus, Mankind is Studentdom; God becomes the Founder; failing and passing elevate to existential phenomena; East-Campus militates against West-Campus, and both await the coming of the Messiah-like Grand Tutor, who will free them from the terror of the ultimate machines — EASCAC and WESCAC. To this troubled cosmos comes Goat Boy George, who was raised by a renegade Jewish intellectual among the beasts of the field in gamboling innocence. On learning that he is really of Studentdom and not Goatdom, George gets it into his head that he is the Grand Tutor and sets out to free the University. First he must qualify as a simple student. He enters the mainstream of University life for a couple of terms and discovers all the absurdities of the higher order, magnified of course by his experiences as a goat. In an attempt to prove that he is the authentic Grand Tutor, George is given a number of Delphic super-feats to perform. He does, but he emerges from his Odyssey with a Zen-like philosophy of the cyclic futility of progress, the unteachability of wisdom...There is erudite word-wit here, a fertility of ideas that is almost febrile, a colossal serio-comic point of view, big, bawdy and boisterous. Barth plays a Swiftian game ambitiously. But it runs on and on and on. His major conceit, finally, is the assumption that the reader will tolerate almost anything for an intolerable length of time merely because it is awfully philosophical and terribly clever.
Pub Date: Aug. 5, 1966
ISBN: 0385240864
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 18, 2011
Kirkus Reviews Issue: Aug. 1, 1966
IN THE NEWS
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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