Idiosyncratic, outlandish—and a good read.

EVERY THIRD THOUGHT

Barth delivers a slim postmodern novel about—what else?—a postmodern novelist experiencing a series of uncanny coincidences and visions.

Narrator G.I. Newett (try saying it aloud) and his wife Amanda, a poet, both teach at Stratford College, a small liberal arts school on Maryland’s Eastern Shore, when weird things start to happen. First, their home is destroyed by a tornado. Then, on a subsequent trip to Europe (in the “other” Stratford, no less), Newett experiences a fall that has all the self-conscious theological resonance Barth can ring from it. What the narrator calls his Accidental Head-Bang occurs on September 22, 2007, not so coincidentally Newitt’s 77th birthday (or the 77th anniversary of his “expulsion from the maternal womb," as he puts it), Yom Kippur and the autumnal equinox. Then begins a series of “post-equinoctial visions,” as well as meditations on those visions, that take Newett back to childhood memories of his best friend Ned Prosper. Newitt relives his early adolescent fumblings, free-wheeling camping trips that involve partner-swapping with Ned and his girlfriend, his short-lived relationship with his first wife and the cultural landscape of the past four decades. The narrative takes place in both past and present, the latter conveyed through generous dialogue with Amanda, a partner every bit as intelligent and sharp-witted as the narrator himself. The brilliance of the novel emerges through Newett’s quirky word play (his reference to the “autumnal equi-knocks," for example, or his discovery that he’s a “'maker-upper, not a tell-aller’”). Eventually he decides to complete the prematurely deceased Ned’s unfinished novel—called Every Third Thought.  

Idiosyncratic, outlandish—and a good read.

Pub Date: Oct. 1, 2011

ISBN: 978-1-58243-755-2

Page Count: 208

Publisher: Counterpoint

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

TRUE COLORS

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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