A soul-searching memoir makes poetic hay of the saw that you can take the boy out of the South, but you can't take the South out of the boy. Mays's picturesque childhood on a Louisiana cotton plantation ended abruptly with his parents' deaths. He withdrew into a fantasy of ultra-Southernness and, after a mental breakdown, rejected Dixie altogether and settled in Canada, where he's the art critic for the Toronto Globe and Mail. The death of Aunt Vandalia, final occupant of his childhood home, instigates a midlife quest to rediscover his southern roots. That quest leads to tidewater Virginia (where his first ancestor, an Anglican priest, arrived in 1609), to colonial South Carolina, and finally to the Deep South of Mississippi and Louisiana. The power referred to in the title (from an old gospel hymn) is paternalistic duty, a patrician sense of decorum and behavior that once made up the ``codes and tactics of Southern existence handed down, father to son'' and that persist, for Mays at least, ``at the deep levels of consciousness where the anthropological oddments of `Southern culture'. . . are irrelevant.'' Those oddments, which compose the popular conception of the South canonized and promoted by the Encyclopedia of Southern Culture and the burgeoning academic field of Southern studies, represent Southernness in only the narrowest sense, he convincingly argues. Mays, more interested in memory than history, seeks a broader definition. Like a graduate student deconstructing literary texts, he mines deep significance from tombstone epitaphs and family snapshots, communing dutifully with the ``genius loci'' of his ancestors' far-flung homes. The portrait of Southernness that emerges—rooted inexorably in land, classical notions of agrarian harmony, and Golden Age Greek and Roman myth and epic—is decidedly elitist, and narrow in its own right. Mays thoughtfully interprets Southern culture, but his self-absorption makes the journey less compelling as memoir than as history. (8 pages b&w photos) ($50,000 ad/promo; author tour)
Pub Date: Oct. 1, 1997
ISBN: 0-06-018269-5
Page Count: 304
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 1997
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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