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LAWMAN

THE LIFE AND TIMES OF HARRY MORSE, 1835-1912

Six-shooter justice in a Golden Gate setting. Attorney Boessenecker (Badge and Buckshot: Lawlessness in Old California, 1988) complains that California lawmen are largely unknown outside California because moviemakers located the Wild West in places like Wyoming and Texas. There's no doubt that Harry Morse's exploits could fuel a screenplay or two; as a lawman in Alameda County, just across the bay from San Francisco, Morse had his share of facedowns, shoot-'em-ups, and dry- gulchings. Boessenecker chronicles Morse's life and times, drawing heavily on the lawman's carefully self-serving, sometimes published accounts, which are invariably more interestingly written than his biographer's. Fans of law-enforcement history will enjoy reading about Morse's single-handedly busting up rings of savage desperadoes and ill-tempered banditos, who seemed to be legion in Alameda; some of the details of mass murders and gang killings could be taken from today's headlines. Boessenecker does a good job of separating invention from reality, and he's combed the archives to provide details about the usually forgotten bad guys. He's also careful to maintain that Morse was less racist than the run of Anglo California cops of the time; although Morse usually referred to the Hispanic citizens of Alameda as ``greasers,'' Boessenecker notes that Morse's intervention helped acquit a Mexican-American falsely accused of murder, and that he employed many Mexican-Americans as deputies. That some-of-my-best-friends defense aside, Boessenecker is content to regale his readers with tales of murder and mayhem, the best among them his account of Black Bart, the gentleman-poet stagecoach robber whose intriguing life would make just the movie the author calls for. A modestly interesting addition to the library of Old West lawmen. (55 b&w photos, 3 drawings, 2 maps, not seen)

Pub Date: March 1, 1998

ISBN: 0-8061-3011-3

Page Count: 384

Publisher: Univ. of Oklahoma

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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