by John Branch ‧ RELEASE DATE: Oct. 1, 2014
A sad, tragic story that underscores the high human cost of violent entertainment.
Pulitzer Prize–winning New York Times reporter Branch debuts with a biography of hockey player Derek Boogaard (1982-2011), a fierce fighter on the ice who died of an overdose of alcohol and prescription painkillers at the age of 28.
“No one ever told Derek that his primary mission in hockey would be to fight,” writes the author. Yet that is what the shy, oversized Saskatchewan native did throughout his career, first for minor teams, then with the Minnesota Wild and the New York Rangers, where he became the NHL’s most feared fighter. In this engrossing narrative, based on an award-winning Times series, Branch details both Boogaard’s life growing up in rural, hockey-mad Canada, where his size stigmatized him in school, and his years of playing hockey, when size—not talent—brought him success. In a sport where violence attracts crowds, Boogaard’s role as an enforcer was to intimidate opponents and protect his team’s star players, often engaging in game-stopping fights. With spotlights beaming and Rocky theme music blaring, the enforcer and his adversaries would beat on each other with fists and sticks and then spend a few minutes in a penalty box. To alleviate stabbing pain in his back, hips and shoulder, Boogaard took increasing amounts of painkillers. In his fourth professional season, he obtained 25 prescriptions for oxycodone and hydrocodone from 10 doctors. Despite efforts at rehabilitation, he persisted in his addiction, becoming increasingly erratic and depressed. An autopsy revealed that Boogaard had suffered a series of concussions as well as chronic traumatic encephalopathy, a degenerative condition caused by repeated blows to the head. Boogaard’s death and increasing public awareness of the dangers of concussions have prompted steps to limit fighting in hockey’s junior leagues, but there’s been no action at the professional level, where a culture of “concussion denial” reigns.
A sad, tragic story that underscores the high human cost of violent entertainment.Pub Date: Oct. 1, 2014
ISBN: 978-0-393-23939-3
Page Count: 352
Publisher: Norton
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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