Gripping social history and a feast for aficionados of cops-and-robbers stories, both real and imagined.

L.A. NOIR

THE STRUGGLE FOR THE SOUL OF AMERICA’S MOST SEDUCTIVE CITY

Midcentury L.A., confidential and otherwise.

Untangling the web of politics and crime that defined Los Angeles as a locus of “noir” mystique, Governing magazine writer Buntin traces the careers of two of the city’s most storied combatants—Police Chief William Parker and gangster Mickey Cohen. Parker was a rigid autocrat famous for his incorruptibility, while Cohen emerges here as a charming, eccentric operator whose criminal ways often seem like merely an expression of excessively high spirits. Parker rose steadily through the ranks of the hopelessly corrupt LAPD through sheer will. He eventually revolutionized the department, turning it, and himself, into a formidable political power in its own right, rather than acting as a lackey for the entrenched and mutual interests of local business and organized crime. Cohen became king of the rackets after impressing the big boys with his chutzpah and ruthlessness. The men hated each other, and the pursuit of their divergent agendas would do much to shape Los Angeles in the public imagination. The narrative is a roller-coaster ride full of reversals, as Parker triumphed in shoring up the effectiveness of his force and containing the activities of the underworld, only to falter as toxic race relations led to such disasters as the Zoot Suit riots and the burning of Watts. Cohen lived high on the hog and enjoyed the affection of the media and public, until tax evasion—he had escaped numerous murder charges—landed him in Alcatraz, where he was crippled in an attack by a deranged fellow inmate. The colorful cast of characters intersecting with Parker and Cohen include old-school mobster Bugsy Siegel, evangelist Billy Graham and screenwriter Ben Hecht (both, bizarrely, friends of Cohen), Sammy Davis Jr., burlesque legend Candy Barr, J. Edgar Hoover, Lana Turner and Malcolm X.

Gripping social history and a feast for aficionados of cops-and-robbers stories, both real and imagined.

Pub Date: Aug. 25, 2009

ISBN: 978-0-307-35207-1

Page Count: 432

Publisher: Harmony

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2009

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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