by John Burnham Schwartz ‧ RELEASE DATE: Sept. 1, 1998
The complex stages of guilt, grief, and recovery in the wake of a boy’s hit-and-run death are exquisitely portrayed in this heartrending story by Schwartz (Bicycle Days, 1989), whose characterizations are as finely nuanced as they are sympathetic. Ten-year-old Josh Learner barely knew what hit him that summer night in northwestern Connecticut, on the way back from a symphony picnic with his family; for the three adults—his parents and the driver of the speeding car—who saw what happened, it was as if their lives stopped then, too. His father Ethan, an English professor at a small college nearby, bears guilt for not having insisted that Josh come away from the road; his mother Grace is guilt-ridden as well, for having insisted they stop at the gas station so that Josh’s sister Emma could use the restroom; and Dwight, running late after seeing a Red Sox game with his son and worried about the wrath of his ex at not having Sam back on time, not only has to bear the certainty of having killed someone Sam’s age, but also the fact that the sleeping boy received a black eye from the accident—to go along with the broken jaw that Dwight had given him accidentally on another occasion. In the ensuing months, Ethan tries to carry on while Grace shuts down almost completely, losing her business and her bearings. The police investigation goes nowhere, and when Ethan blows up at the officer in charge, he guarantees there’ll be no further help from that quarter. Dwight, meanwhile, has let his legal practice go to hell, alienated himself from Sam and everyone else, and taken to heavy drinking while waiting for someone to find him out. After more than a year, Ethan finally does—and as the first snow of that year falls, they enact a ritual of revenge both primal and fitting. Rarely have three lives in crisis been detailed with such compassion and care: a tragic, utterly absorbing tale. (First printing of 100,000)
Pub Date: Sept. 1, 1998
ISBN: 0-375-40263-2
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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