The complex stages of guilt, grief, and recovery in the wake of a boy’s hit-and-run death are exquisitely portrayed in this heartrending story by Schwartz (Bicycle Days, 1989), whose characterizations are as finely nuanced as they are sympathetic. Ten-year-old Josh Learner barely knew what hit him that summer night in northwestern Connecticut, on the way back from a symphony picnic with his family; for the three adults—his parents and the driver of the speeding car—who saw what happened, it was as if their lives stopped then, too. His father Ethan, an English professor at a small college nearby, bears guilt for not having insisted that Josh come away from the road; his mother Grace is guilt-ridden as well, for having insisted they stop at the gas station so that Josh’s sister Emma could use the restroom; and Dwight, running late after seeing a Red Sox game with his son and worried about the wrath of his ex at not having Sam back on time, not only has to bear the certainty of having killed someone Sam’s age, but also the fact that the sleeping boy received a black eye from the accident—to go along with the broken jaw that Dwight had given him accidentally on another occasion. In the ensuing months, Ethan tries to carry on while Grace shuts down almost completely, losing her business and her bearings. The police investigation goes nowhere, and when Ethan blows up at the officer in charge, he guarantees there’ll be no further help from that quarter. Dwight, meanwhile, has let his legal practice go to hell, alienated himself from Sam and everyone else, and taken to heavy drinking while waiting for someone to find him out. After more than a year, Ethan finally does—and as the first snow of that year falls, they enact a ritual of revenge both primal and fitting. Rarely have three lives in crisis been detailed with such compassion and care: a tragic, utterly absorbing tale. (First printing of 100,000)
Pub Date: Sept. 1, 1998
ISBN: 0-375-40263-2
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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