It’s Jack again, in a somewhat lackluster retelling that includes a twist at the end. The basic story is familiar: Jack’s mom throws the beans out in the yard and a beanstalk grows overnight. The giant’s wife hides Jack when he arrives at the castle, and she distracts the giant from his Fee fi fo fums. Jack slips away with the goose that lays the golden eggs and returns to steal the sack that makes gold coins. Finally—here’s where the story deviates—he takes both the harp that makes gorgeous music and the giant’s wife, who decides to join him. She becomes his mom’s best friend and they all chop down the beanstalk and feed it to the cows. The occasional rumbling from the heavens is supposedly the upset giant. The illustrations feature exaggerated forms and a green, brown and gold palette, but do not distinguish this retelling, which fails to spark a real rhythm or much energy: more ho hum than fo fum. (author’s note) (Picture book/fairy tale. 5-8)
Pub Date: April 1, 2008
ISBN: 978-1-4027-3064-1
Page Count: 32
Publisher: Sterling
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2008
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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