by John Clarke ‧ RELEASE DATE: N/A
A seaworthy mashup of military techno-thriller and alien-contact fare.
U.S. Navy scientist Jason Parker and other operatives mobilize to secure secrets and technologies left on Earth by a race of aquatic aliens in Clarke’s (Middle Waters, 2014) sequel.
The author, a diving scientist for the Navy, continues his series about a steely, Dirk Pitt–style hero who knows his way around deep-water dives, sunken caves, paranormal phenomena, and romance with attractive women. Parker made contact with amphibianlike extraterrestrials, colloquially known as “Frogs,” who dwelt unseen in Earth’s deepest oceans for some 10,000 years. Russian weapons tests led to the creatures’ sudden (and rather ominous) departure at the end of the last book. Now there’s evidence that, in their haste, the Frogs left behind some very important property. In Siberia, Russians find one of the alien’s triangular spacecraft, seemingly abandoned in a deep lake. Meanwhile, in Mexico, Parker and a Navy rescue team stumble across an enigmatic tribe of benign, bioluminescent, telepathic humanoids living underground who were genetically sired by the Frogs as slave labor. And then there are other, derelict spaceships, some of them detected by CIA operatives via extrasensory “remote viewing.” The book’s mix of psychic phenomena and hard-science submarine tech is a bit eccentric, and the author gives shoutouts and salutes to the 1989 James Cameron film The Abyss as well as to the fantastic fiction of James Patterson and Robert Jordan. The characterization tends to be basic, but readers who like the novel’s Tom Clancy–ish acronyms (a glossary of military jargon is provided), superpower rivalry (the Russians are even called “Commies” in dialogue), and suspenseful, Clive Cussler–esque, high-risk salvage ops likely won’t mind. The third act, meanwhile, brings in loads of speculation from the ufological and parapsychology realms and a not-so-subtle plea to give parascience more respect. In a cute addendum, Clarke recaps Middle Waters’ premise in the form of an article from the real-life fringe-science and occult journal Fortean Times.
A seaworthy mashup of military techno-thriller and alien-contact fare.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Wet Street Press
Review Posted Online: March 15, 2017
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Best Books Of 2015
Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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