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GREAT LONESOME

The slight mystery offers a handy peg for Nesbitt’s latest valentine to the Wyoming frontier he clearly loves.

An aspiring Ohio transplant’s dream of owning his own spread in turn-of-the-century Wyoming is put on hold due to a series of inconvenient murders.

Earl Miner, who owns the Pick, makes no bones about insisting that every man who works for him file a claim to 160 acres under the Homestead Act and then sell it to him so he won’t be troubled by competing ranchers in the Decker Basin. As soon as cowpuncher Reese Hartley bridles at that arrangement, foreman Dick Prentiss gives him his walking papers, and Hartley packs his gear. Lacking any particular plan or destination, Hartley wanders off, encountering what seems to be virtually every woman in town: Pick hand Ben Stillwell’s sweetheart, Bess Ackerman, niece of grain broker Mike Ackerman; Muriel Dulse, a grass widow who also dreams of owning a place despite the tight rein Doyle Treece and the Hudson family, the cousins with whom she lives, keep on her; and Nancy Wisner, a young and flirtatious cousin of the Hudsons. As Nesbitt (Dusk Along the Niobrara, 2019, etc.) shows, however, his most fraught encounters are with aggressive local men who challenge his plan to secure his own land, get physical with him, and invite him to get out of town. While Hartley, who’s a good deal less confrontational than either his adversaries or most Western heroes, is still pondering what to do next, Ben Stillwell vanishes and then turns up choked to death, followed by Nancy Wisner. When Treece accuses Blue, a mysterious newcomer to the community, of killing Nancy, blacksmith/marshal Jock Mosby arrests and jails him, but Hartley doesn’t think that’s the end of the story, and of course he’s right.

The slight mystery offers a handy peg for Nesbitt’s latest valentine to the Wyoming frontier he clearly loves.

Pub Date: May 20, 2020

ISBN: 978-1-4328-6832-1

Page Count: 246

Publisher: Five Star/Gale Cengage

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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  • Kirkus Reviews'
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  • New York Times Bestseller

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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