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THE GREAT SPRUCE

A pleasant holiday story with a subtle hint to protect living trees instead of cutting them down.

A boy named Alec saves his family’s huge spruce tree from being cut down as a Christmas tree.

Alec loves the gigantic tree his grandpa planted decades earlier. Every year Alec and Grandpa decorate the tree with ornaments and outdoor lights. When Alec’s parents agree to let the tree be cut down for a nearby city’s Christmas tree, Alec convinces his family and the local townspeople to dig it up instead. The huge tree is dug up and transported by truck, barge, and horse-drawn sleigh to the big city, which appears to be New York. Alec and his grandfather go along with the tree, and the boy gets to turn the switch at the tree-lighting ceremony with the mayor. The story has the flavor of a tall tale, as the tree seems too impossibly huge to dig up and move and then return to its original home, and the tree seems to have grown even taller in its temporary location in the city. Appealing illustrations in acrylic ink and colored pencil and a huge trim size accommodate all the different views of the giant tree and its unusual journey. Alec and his family are white, the mayor of the big city has dark skin and hair, and the crowd scenes include people of many ethnic backgrounds.

A pleasant holiday story with a subtle hint to protect living trees instead of cutting them down. (author’s note) (Picture book. 4-8)

Pub Date: Oct. 18, 2016

ISBN: 978-0-399-16084-4

Page Count: 40

Publisher: Putnam

Review Posted Online: Aug. 16, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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