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WIN, LOSE OR DIE

The indefatigable Gardner is at it again: fresh from his triumphant conclusion of the intricate, masterful Secret Generations trilogy with The Secret Families, he's boiling the pot once more with his eighth James Bond outing, just as predictable and expertly concocted as the others. This season's malign international conspiracy is the Brotherhood of Anarchy and Secret Terror (BAST), headed by a troika of terrorists code-named the Man, the Snake, and the Cat, but actually dedicated to enriching only one of them: Bassam Baradj (born Robert Besavitsky in HeWs Kitchen), who plans to collect the ransom of the century by infiltrating a secret meeting between President Bush; Prime Minister Thatcher, and Secretary Gorbachev aboard HMS Invincible and kidnapping the three heads of state. Bond's boss M gets wind of the threat to Invincible early on and assigns Bond back to active naval duty to protect the ship. Bond's skirmishes with the usual bevy of ambiguously alluring women—blue-blooded WRNS officer Clover Pennington; Neapolitan maid Beatrice da Ricci; Soviet Naval Attache Nikola Ratnikov—are presented with more conviction than usual. And although the plot twists—Bond is fired on during his initial run piloting a Sea Harrier; dangled invitingly in an Italian villa as an assassination target; and debriefed at a NATO installation temporarily (and preposterously) in the hands of his enemies before finally boarding Invincible, foiling BAST with his customary single-handed heroics, and unmasking the bad-guys-pretending-to-be-good-guys-pretending-to-be-bad-guys (and vice versa)—sound like a child's idea of international intrigue, Gardner manages to charm some real suspense out of Bond's attempts to guess who's on which side today. Despite too many acronyms, too much artillery, and too many layers of deceptive identity, this is still one of Gardner's better Bonds, guaranteed to make you feel excited as well as a little foolish.

Pub Date: July 24, 1989

ISBN: 0425122611

Page Count: 324

Publisher: Putnam

Review Posted Online: March 30, 2012

Kirkus Reviews Issue: June 15, 1989

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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