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BECOMING LAURA INGALLS WILDER

THE WOMAN BEHIND THE LEGEND

A biography of the author of The Little House on the Prairie series that comes to life only in the recounting of the stormy relationship between Wilder and her daughter. Those fictionalized accounts of Wilder’s turn-of-the-century girlhood on the rural frontier are accurate both in spirit and largely in fact. The first part of this biography reruns those years in numbing detail, but Miller (History/South Dakota State Univ.) picks up the pace when he begins to examine the controversy about who really wrote the series, Wilder or her daughter, Rose Wilder Lane. Rose Lane was an established writer and editor living in San Francisco when she began to encourage her mother to write. Wilder and her husband were then eking out a living on a Missouri farm, and Rose saw her mother’s writing as a potential source of income. Wilder began with a series of columns for a local newspaper and finally a manuscript of reminiscence. By then, Rose was living on the Missouri farm and worked closely with her mother to get the book in shape. Rose continued to manage and guide both Wilder’s career and subsequent manuscripts’so closely, some critics have said, that they were really Rose’s books. Drawing on correspondence between mother and daughter and other sources, Miller concludes that Wilder was a talented writer in her own right and that her daughter acted as a skilled editor and writing coach, although rewriting limited sections of her mother’s work. Wilder was 65 years old when her first book was published in 1932, 90 when she died, already a favorite of several generations of children. Her daughter died a few years later. Rose emerges as a conflicted and intriguing character, but this biography remains best suited for historians and adults who are still hard-core Wilder fans. (20 illustrations)

Pub Date: May 1, 1998

ISBN: 0-8262-1167-4

Page Count: 312

Publisher: Univ. of Missouri

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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