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BECOMING LAURA INGALLS WILDER

THE WOMAN BEHIND THE LEGEND

A biography of the author of The Little House on the Prairie series that comes to life only in the recounting of the stormy relationship between Wilder and her daughter. Those fictionalized accounts of Wilder’s turn-of-the-century girlhood on the rural frontier are accurate both in spirit and largely in fact. The first part of this biography reruns those years in numbing detail, but Miller (History/South Dakota State Univ.) picks up the pace when he begins to examine the controversy about who really wrote the series, Wilder or her daughter, Rose Wilder Lane. Rose Lane was an established writer and editor living in San Francisco when she began to encourage her mother to write. Wilder and her husband were then eking out a living on a Missouri farm, and Rose saw her mother’s writing as a potential source of income. Wilder began with a series of columns for a local newspaper and finally a manuscript of reminiscence. By then, Rose was living on the Missouri farm and worked closely with her mother to get the book in shape. Rose continued to manage and guide both Wilder’s career and subsequent manuscripts’so closely, some critics have said, that they were really Rose’s books. Drawing on correspondence between mother and daughter and other sources, Miller concludes that Wilder was a talented writer in her own right and that her daughter acted as a skilled editor and writing coach, although rewriting limited sections of her mother’s work. Wilder was 65 years old when her first book was published in 1932, 90 when she died, already a favorite of several generations of children. Her daughter died a few years later. Rose emerges as a conflicted and intriguing character, but this biography remains best suited for historians and adults who are still hard-core Wilder fans. (20 illustrations)

Pub Date: May 1, 1998

ISBN: 0-8262-1167-4

Page Count: 312

Publisher: Univ. of Missouri

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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