The view from inside this little-understood disorder offers both cold comfort and real hope, which makes it an exceptionally...

LOOK ME IN THE EYE

MY LIFE WITH ASPERGER’S

Affecting, on occasion surprisingly comic memoir about growing up with Asperger’s syndrome.

Those who have this autism spectrum disorder are often seen as weird, because of their odd mannerisms and expressions and their difficulties in talking to other people. But Asperger’s may also confer rare talents, such as the ability to focus intently and to think rapidly and creatively, notes the author, who wrote this text at the urging of younger brother Augusten Burroughs (Running with Scissors, 2002, etc.). A social misfit helped not at all by a battery of therapists, Robison admits that his behavior was decidedly disturbing, sometimes foolish and often dangerous. Asperger’s can lead to a life of isolation, but the author credits interested adults with drawing him out as a child and keeping him engaged with human beings. He dropped out of high school at age 15 and left home at 16, impelled by a troubled family situation (alcoholic father, mentally disturbed mother) into the working world. While people were a mystery to him, machines were not. He became a self-taught sound engineer for rock bands and later a designer of electronic toys. The discovery at age 40 that his strangeness had a name altered Robison’s view of himself, giving him a new confidence and enabling him to find more acceptable ways of coping with other people. He has learned to look them in the eye and even make small talk. His essays on choosing a wife and on naming people (he calls his spouse Unit Two, because she’s a middle sister) suggest that the prankster in him still lives, but they also demonstrate the oddness of the Asperger’s mind. Chapters on his son and on his late discovery of friendship are truly moving.

The view from inside this little-understood disorder offers both cold comfort and real hope, which makes it an exceptionally useful contribution to the literature.

Pub Date: Sept. 1, 2007

ISBN: 978-0-307-39598-6

Page Count: 304

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2007

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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