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PHINEAS AT BAY

An expert and gracefully executed follow-up to Trollope’s Palliser series.

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A political novel presents a detailed reinvigoration of a beloved Trollope-an character.

Phineas Finn is the eponymous hero of two novels in Anthony Trollope’s Palliser series, a political epic set in the 19th century. In the first book, the personable and dashing young Irishman heads to Victorian London to train as a lawyer and inveigles his way into high society. By the close of the second volume, Finn is weary after unsuccessfully standing for Parliament and enduring a grueling murder trial. Wirenius’ (First Amendment, First Principles, 2000) offering picks up the story in the 1890s, two decades after Trollope brought Finn’s tale to a close. Finn is appointed as counsel for Ifor Powlett-Jones, a Welsh miner charged with, among other things, criminal mischief, rioting, and assault after striking his foreman during a fracas following an explosion in a mine. The case becomes of further interest to the hero when he realizes that the mine is owned by William McScuttle, a significant figure in the Liberal Party, of which Finn himself is a member. In terms of his political standing, Finn appears to be disillusioned and drifting, looked on by members of his own party as an outsider. Wirenius captures a moment in a rapidly evolving political world as Finn becomes increasingly involved with the newly established Labour Party. The hero’s shifting sensibilities form only part of an intricately embroidered narrative that describes the social machinations—including the dangerous liaisons—that provide a backdrop to the political scene. At one point in the story, Finn even finds “himself dragged into a duel.” Trollope’s political novels were fueled by his skillful use of detailed characterization to create a realistic social world animated by a large cast of individually distinguishable personalities. In this intriguing tale, Wirenius displays similarly acute powers of observation. This is exemplified by his elegant description of the social standing of a prominent socialist: “The Right Honourable John Oswald Theobald Phineas Standish—Lord Chiltern, in Society—was in a position that would have excited the disapprobation of his relatives and friends, knew it, and, flushed with emotion, did not care.” The author adopts an appropriately clipped evaluative tenor—which was employed by Trollope—to strip the character to his essence in the space of a sentence. Such is Wirenius’ stylistic understanding of Trollope that it is entirely possible to finish reading the 19th-century Phineas Redux and begin the contemporary elaboration in smooth transition. This is in no small part due to Wirenius’ depth of research, which he discusses in his afterword. The author has a profound knowledge of how Trollope writes—from the way he borrows characters from other authors to his tendency to keep the “dates of his novels vague.” Readers not up to speed with the Palliser series would benefit from perusing Trollope, although Wirenius’ thoroughly plausible tale can be read as a stand-alone novel. Fans of Trollope will surely delight in reuniting with their old favorite Finn, even if it is to form their own conclusions on how he compares to the master’s original rendering.

An expert and gracefully executed follow-up to Trollope’s Palliser series.

Pub Date: July 16, 2014

ISBN: 978-1-4991-7732-9

Page Count: 522

Publisher: CreateSpace

Review Posted Online: March 6, 2019

Kirkus Reviews Issue: April 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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