Maugham once said "The artist's egoism is outrageous; it must be; he is by nature a solipsist and the world exists only for him to exercise upon it his powers of creation." This is concretely the intent and exemplification thereof in the title story of Fowles' collection of five longer short ones — two of which will pick up this theme where the artist must cold-shoulder the world and human values to swaddle his creativity. Thus he introduces also outrageous, also impossibly egoistic Breasley, who has found a sanctuary for his solipsism in a lovely house in Brittany where he is attended and serviced by two young women when David Williams, a writer-lecturer in the field having given up his own work, comes to interview him. There David realizes for the first time that his own "Ebony Tower" is a void where "safety hid nothingness" except the abandonment of himself and his potential. In "Poor Koko" we have another reclusive — a writer of 66 who has always shirked real life for his work — now to be destroyed by the impromptu visit of a young hood. And again in "The Enigma" the disappearance of a conservative MP, hemmed in by correct appearances and rightist assumptions, vanishes if only to impose a lingering question mark on the mediocrity of his achievements. The last story is a sad fairy tale come true, told to a child, experienced by a young woman — and there's a charming lais of the 12th century Marie de France in "Eliduc." To the stories Fowles lends his eclectic erudition, the attractive overlay of sensuous surfaces, and a little commentary for and of our time. And as always he proceeds with splendid ease and confidence to catch the eye at a pleasurably decorative level and then turn it inward.
Pub Date: Nov. 8, 1974
ISBN: 0316287458
Page Count: 320
Publisher: Little, Brown
Review Posted Online: March 29, 2012
Kirkus Reviews Issue: Nov. 1, 1974
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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