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WORMHOLES

ESSAYS AND OCCASIONAL WRITINGS

The celebrated English novelist gathers his essays of four decades in one volume. Best known for his novels, which include classic works such as The Magus and The French Lieutenant’s Woman, Fowles now offers a collection of essays and “occasional pieces” written between 1963 and 1997. The book comprises 30 disparate pieces, divided into four categories: “Autobiographical,” “Culture and Society,” “Literature and Literary Criticism,” and “Nature and the Nature of Nature.” Fowles enthusiasts will be grateful for the book. The master’s ruminations will deepen their understanding of his fictional world, perhaps especially the section on nature. However, those not already in thrall to Fowles’s imagination are not likely to be persuaded or even attracted by this omnium-gatherum of odds and ends. Curiously, Fowles seems uneasy as an essayist. It is, for example, a leitmotif of this volume for him to declare that he does not care what “the academics” think. He claims this so often that it becomes clear that “the academics”—whoever they may be—bother him a great deal and that he in fact does care what they think. This unnecessary combat with phantoms makes him appear defensive and unsure of himself. Consequently it undermines his reader’s confidence in the surefootedness of his critical stance. He is at his best when completely unapologetic, as in comments of this sort: “Above all I loathe the drift (a kind of fascism of the majority) that would so homogenize, suburbanize, and ‘democratize’ life as to make it lose all it varieties and roughnesses—make it, like margarine, ‘easy to spread.— “ Take that to Starbucks and sip it. In the end, though shot through with veins of gold, this collection also contains its share of slag and dross.

Pub Date: May 1, 1998

ISBN: 0-8050-5867-2

Page Count: 362

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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