Filled with expertly crafted stories, essays, and poems, this volume is a triumph.
The definitive issue of a venerated literary journal.
For the last decade, Freeman, an author as well as an executive editor at Knopf, has curated a uniquely well-realized literary journal to which he has lent his name, with issues loosely devoted to themes like family, home, power, and animals. The 10th and final issue is fittingly devoted to conclusions, and features writing from an all-star cast, including Sandra Cisneros, Dave Eggers, Omar El Akkad, Louise Erdrich, Honorée Fanonne Jeffers, Denis Johnson, Mieko Kawakami, Rebecca Makkai, Colum McCann, Tommy Orange, and many others, with a fine mix of emerging and established writers. At first glance, that “conclusions” theme seems like a less-than-clever dodge: Every story has a conclusion, and any that doesn’t can be said to resist the constraints of traditional narrative—so any story fits the theme. In the end, though—pardon the pun—the quality of the writing included is such that there’s no need to quibble over Freeman’s criteria one way or the other. In one of three poems by renowned Song Dynasty writer Li Qingzhao, gorgeously translated by Wendy Chen, Li describes “Late spring. Why still / such bitter homesickness? / Ill, I comb my hair, / my regret long as each strand.” In a short essay, Aleksandar Hemon describes how, at the end of a visit, his father would sit down and demand, “Conclusions!” This was a habit that at first annoyed Hemon, but then, “as per the usual process, it became an amusing story I would tell, which then naturally led to my doing the same thing, except ironically”—and then not so ironically. In “The Endlings,” Tania James describes a pair of Neanderthal sisters, “the product of a bizarre and illegal in-vitro experiment,” who escape from their enclosure, and the young mother, on vacation with her husband’s family, who becomes interested in their story. Every piece in this collection stands on its own and is as expertly faceted as a gem.
Filled with expertly crafted stories, essays, and poems, this volume is a triumph.Pub Date: Oct. 10, 2023
ISBN: 9780802161475
Page Count: 256
Publisher: Grove
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
BOOK REVIEW
BOOK REVIEW
Haig’s positive message will keep his fans happy.
A British widow travels to Ibiza and learns that it’s never too late to have a happy life.
In a world that seems to be getting more unstable by the moment, Haig’s novels are a steady ship in rough seas, offering a much-needed positive message. In works like the bestselling The Midnight Library (2020), he reminds us that finding out what you truly love and where you belong in the universe are the foundations of building a better existence. His latest book continues this upbeat messaging, albeit in a somewhat repetitive and facile way. Retired British schoolteacher Grace Winters discovers that an old acquaintance has died and left her a ramshackle home in Ibiza. A widow who lost her only child years earlier, Grace is at first reluctant to visit the house, because, at 72, she more or less believes her chance for happiness is over—but when she rouses herself to travel to the island, she discovers the opposite is true. A mystery surrounds her friend’s death involving a roguish islander, his activist daughter, an internationally famous DJ, and a strange glow in the sea that acts as a powerful life force and upends Grace’s ideas of how the cosmos works. Framed as a response to a former student’s email, the narrative follows Grace’s journey from skeptic (she was a math teacher, after all) to believer in the possibility of magic as she learns to move on from the past. Her transformation is the book’s main conflict, aside from a protest against an evil developer intent on destroying Ibiza’s natural beauty. The outcome is never in doubt, and though the story often feels stretched to the limit—this novel could have easily been a novella—the author’s insistence on the power of connection to change lives comes through loud and clear.
Haig’s positive message will keep his fans happy.Pub Date: Sept. 3, 2024
ISBN: 9780593489277
Page Count: 368
Publisher: Viking
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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