Students of yesteryear counterculture may claim this as their new favorite book.



A topsy-turvy, kaleidoscopic journey through the 1960s by Australian-born writer John Gardiner.

The title of this tome–some 398 pages of stream-of-consciousness narrative–gets at its essential energy, which is raw, sinuous and colorful. Ostensibly, Gardiner follows a motley crew of characters through the chaos of the late ’60s, from the student free-speech movement to the anti-war protests, to the drugs, booze and colorful rock music that lent the decade its lush sonic backdrop. But this is not a history book or a memoir. In fact, it owes little to any traditional form of storytelling. Instead, the reader is dropped headfirst into a stew of sensory experiences, divided roughly by year into sections: 1968, 1969 and finally 1970, when the whole wild decade finally bowed its shaggy head. The language resembles, in some ways, the musical speak-sing of the Beats. The characters, with wonderfully theatrical names like Bridget Lovegrove and Christopher Featherstone, are always pushing at the edges of the world. They observe and interact at a rapidfire pace, describing sunsets, geometry and obscure religious theory with equal aplomb. For good measure, the author tosses in some plot pieces from “Paradise Lost” by John Milton and explores the minutiae of quantum physics, all while watching his set pieces swell and ebb under the force of his heavy academic language. The problem with WHAAM! is that there’s very little plot. Featherstone, for instance, drifts in and out of the chapters without much motivation. Readers never understand what he wants, where he came from or where exactly he’ll end up. Instead, a shapeless poeticism takes over, absorbing the characters and the book’s direction. Yet this shapelessness makes Gardiner’s book what it is–like the decade the author evokes, WHAAM! is endlessly colorful and wonderfully strange.

Students of yesteryear counterculture may claim this as their new favorite book.

Pub Date: Nov. 15, 2008

ISBN: 978-0-646-49665-8

Page Count: -

Publisher: N/A

Review Posted Online: April 14, 2011

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Charming, challenging, and so interesting you can hardly put it down.

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The relationship between a privileged white mom and her black babysitter is strained by race-related complications.

Blogger/role model/inspirational speaker Alix Chamberlain is none too happy about moving from Manhattan to Philadelphia for her husband Peter's job as a TV newscaster. With no friends or in-laws around to help out with her almost-3-year-old, Briar, and infant, Catherine, she’ll never get anywhere on the book she’s writing unless she hires a sitter. She strikes gold when she finds Emira Tucker. Twenty-five-year-old Emira’s family and friends expect her to get going on a career, but outside the fact that she’s about to get kicked off her parents’ health insurance, she’s happy with her part-time gigs—and Briar is her "favorite little human." Then one day a double-header of racist events topples the apple cart—Emira is stopped by a security guard who thinks she's kidnapped Briar, and when Peter's program shows a segment on the unusual ways teenagers ask their dates to the prom, he blurts out "Let's hope that last one asked her father first" about a black boy hoping to go with a white girl. Alix’s combination of awkwardness and obsession with regard to Emira spins out of control and then is complicated by the reappearance of someone from her past (coincidence alert), where lies yet another racist event. Reid’s debut sparkles with sharp observations and perfect details—food, décor, clothes, social media, etc.—and she’s a dialogue genius, effortlessly incorporating toddler-ese, witty boyfriend–speak, and African American Vernacular English. For about two-thirds of the book, her evenhandedness with her varied cast of characters is impressive, but there’s a point at which any possible empathy for Alix disappears. Not only is she shallow, entitled, unknowingly racist, and a bad mother, but she has not progressed one millimeter since high school, and even then she was worse than we thought. Maybe this was intentional, but it does make things—ha ha—very black and white.

Charming, challenging, and so interesting you can hardly put it down.

Pub Date: Jan. 7, 2020

ISBN: 978-0-525-54190-5

Page Count: 320

Publisher: Putnam

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.


A 12-year-old boy is the sole survivor of a plane crash—a study in before and after.

Edward Adler is moving to California with his adored older brother, Jordan, and their parents: Mom is a scriptwriter for television, Dad is a mathematician who is home schooling his sons. They will get no further than Colorado, where the plane goes down. Napolitano’s (A Good Hard Look, 2011, etc.) novel twins the narrative of the flight from takeoff to impact with the story of Edward’s life over the next six years. Taken in by his mother’s sister and her husband, a childless couple in New Jersey, Edward’s misery is constant and almost impermeable. Unable to bear sleeping in the never-used nursery his aunt and uncle have hastily appointed to serve as his bedroom, he ends up bunking next door, where there's a kid his age, a girl named Shay. This friendship becomes the single strand connecting him to the world of the living. Meanwhile, in alternating chapters, we meet all the doomed airplane passengers, explore their backstories, and learn about their hopes and plans, every single one of which is minutes from obliteration. For some readers, Napolitano’s premise will be too dark to bear, underlining our terrible vulnerability to random events and our inability to protect ourselves or our children from the worst-case scenario while also imagining in exhaustive detail the bleak experience of survival. The people around Edward have no idea how to deal with him; his aunt and uncle try their best to protect him from the horrors of his instant celebrity as Miracle Boy. As one might expect, there is a ray of light for Edward at the end of the tunnel, and for hardier readers this will make Napolitano’s novel a story of hope.

Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

Pub Date: Jan. 14, 2020

ISBN: 978-1-9848-5478-0

Page Count: 352

Publisher: Dial

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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