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YONDER

A PLACE IN MONTANA

Useful reading for city slickers contemplating a move to their own home on the range.

A graceful spirit-of-place study, set in territory widely thought to belong to God.

Montana is a place where weary urbanites from both coasts come to find themselves—a modern development that is a source of much grief to longtime Montanans, who now have to wait for a stool at the local diner. Travel writer Heminway (African Journeys, not reviewed), a frequent visitor to Big Sky country, is well aware that one acquires true Montanan credentials only by tracing claim to the place over several generations, but that did not keep him from buying a little ranch (carved out of a larger ranch and onetime hippie commune) and sinking some Montana roots of his own. No instant cowboy, he thoughtfully reflects here on the harsh realities of the place: the deadly cold of winters that last for seven months, the desolate plains littered with hundred-year-old broken wagon axles, cattle skulls, and the ruins of homesteaders’ shacks, etc. Shrugging off the attendant bad vibes (for, he writes, “Montana had become my drug”), the author cheerfully attempts to become a good neighbor, only to have his efforts challenged at every turn by a particularly irascible rancher with whom, by story’s end, he has forged an uneasy détente sometimes bordering on friendship. Heminway’s reflections on the once wild but increasingly settled landscapes of Montana are well-crafted and often lyrical, with only a few false steps (mostly in the direction of lapsing into reverence whenever American Indians enter the scene). Although sometimes overawed by the beauty of his newfound nirvana, the author is always brought back to his senses by the hardened old-timers, who, without really meaning to, help him “penetrate the astonishing bond between landscape and people, and to understand how nothing, in the end, is perfect.”

Useful reading for city slickers contemplating a move to their own home on the range.

Pub Date: Sept. 1, 2000

ISBN: 0-7922-7687-6

Page Count: 304

Publisher: National Geographic

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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PILGRIM AT TINKER CREEK

This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.

Pub Date: March 13, 1974

ISBN: 0061233323

Page Count: -

Publisher: Harper's Magazine Press

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: March 1, 1974

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