by John Heminway ‧ RELEASE DATE: Feb. 13, 2018
A fascinating story in an occasionally frustrating recounting.
How does one weigh past evils against future good deeds? This is the central question of this at times compelling, at times vexing biographical sketch.
Dr. Anne Marie Spoerry (1918-1999) spent 50 years in East Africa, primarily in Kenya, serving local people. She was a “flying doctor” who, utilizing her pilot’s license and a rickety but reliable old plane, traveled to remote areas to provide much-needed health care to generations of Kenyans. “Mama Daktari” was a legend to thousands. But she also held deep secrets. During World War II, Spoerry had worked in the French Resistance against the Nazis; when she was caught, she ended up at the notorious Ravensbrück camp. Subsequently, she kept her war experiences almost wholly to herself, in part because she surely suffered, but also because while there, she compromised—as any of us might have—and utilized access to a likely paramour, as well as her medical experience, to better position herself. In so doing, she tortured and killed other prisoners and sent others to their deaths. Heminway (Yonder: A Place in Montana, 2000, etc.), a writer and documentary filmmaker who has won two Emmys and two Peabody Awards, spends a great deal of time investigating Spoerry’s actions at Ravensbrück though surprisingly little exploring how to weigh them in light of her unquestionably virtuous deeds for the final decades of her life. Thus, the cranky white savior–type doctor (with awful bedside manner) who may have also collaborated with the Nazis becomes both hero and villain, as the author fails to interrogate the meaning of these contradictions. Furthermore, Heminway refers throughout to “Africa,” as if Africa the continent is an undifferentiated mass. He is telling a story almost exclusively based in Kenya, and yet he discusses Africa and Africans as if this massive continent of 1.2 billion people is a single country.
A fascinating story in an occasionally frustrating recounting.Pub Date: Feb. 13, 2018
ISBN: 978-1-5247-3297-4
Page Count: 336
Publisher: Knopf
Review Posted Online: Dec. 4, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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