Hickenlooper draws an analogy between brewing and politics (the activist as yeast, the political leader as brewer), but...

THE OPPOSITE OF WOE

MY LIFE IN BEER AND POLITICS

Colorado’s high-profile governor submits an unconventional autobiography.  

When it comes to political memoirs, a notoriously guarded, agenda-driven genre, readers are not wrong to be wary. What, then, to make of this exquisitely timed publication by a two-term governor of a purple state only months before his party casts about for a vice presidential nominee? Hickenlooper has lived a life sufficiently varied and interesting that his run for office doesn’t occur until past the midpoint of the narrative. Elected Denver’s mayor in 2002, he became the first in 125 years to move from that office to the governorship in 2010. When politics takes over the story, we’re in the familiar, dreary territory taken up with bouquets to supporters and subordinates, tributes to gritty and resilient constituents, electoral obstacles overcome, problems solved, and controversial issues confronted—in Hickenlooper’s case, fracking, same-sex unions, legalizing marijuana, and capital punishment. The author emerges with pretty high marks, but we’re inclined to credit him because of the apparent honesty he brings to his public career. With the help of Potter (Shadows in the Vineyard: The True Story of the Plot to Poison the World’s Greatest Wine, 2014, etc.), who served as the author’s speechwriter, Hickenlooper recounts his troubled boyhood, his peripatetic and protracted academic career—he’s the only Wesleyan student ever to receive “tenure”—his checkered love life, his (largely failed) artistic ambitions and endeavors, his dabbling in real estate, his mostly unsatisfying stint as a geologist, and his wildly successful run as a brewpub entrepreneur. All this entertains wonderfully: the brushes with the famous—Yoko Ono, Phil Donahue, etc.—the colorful anecdotes about the campaign to save “Mile High,” the beer label authored by Kurt Vonnegut, the Quaker ancestor who was also a brewer.

Hickenlooper draws an analogy between brewing and politics (the activist as yeast, the political leader as brewer), but however apt that metaphor, it’s difficult to imagine a more unusual preparation for public life than the one ably recounted here.

Pub Date: May 24, 2016

ISBN: 978-1-101-98167-2

Page Count: 368

Publisher: Penguin Press

Review Posted Online: April 30, 2016

Kirkus Reviews Issue: May 15, 2016

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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