Nonviolence (mostly), the bunjitsu way.
Martial arts high jinks with Bunjitsu Bunny.
Isabel can hit harder, kick higher and throw classmates farther than anyone else. That’s why they call her Bunjitsu Bunny. Some of her classmates at Teacher’s bunjitsu school are scared of her. Isabel tries not to hurt other creatures, though. She says, “Bunjitsu is not just about kicking, hitting, and throwing….It is about finding ways to NOT kick, hit, and throw.” When Bunjitsu Bunny and her fellow students are confronted with a locked classroom door, her classmates try using every bunjitsu move to break it down. They only hurt themselves. Isabel gets in through the window and lets her classmates in through the door. When Jackrabbit challenges her to a fight, she avoids violence (and losing) by not fighting him. But when she has scary nightmares, she can’t sleep. Teacher asks where those nightmares live, and Isabel points to her head. Teacher says the nightmares should be scared living in Bunjitsu Bunny’s head; that does the trick. Himmelman simplifies his picture-book style with calligraphic black lines and delivers a series of Zen lessons touched with gentle humor. Some of the tales will require discussion, but all are easy reading.
Nonviolence (mostly), the bunjitsu way. (Fantasy. 6-9)Pub Date: Oct. 14, 2014
ISBN: 978-0-8050-9970-6
Page Count: 128
Publisher: Henry Holt
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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