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THE HAND OF GOD

An imperfect but often engaging tale of an imperfect man seeking redemption.

An African-American man is caught between his own demons and those of 1950s American society in this historical novel.

Jones (Tembo Makaburi, 2017, etc.) tells the story of 24-year-old Bobby Lincoln, who lives in the coastal town of Palm Harbor in 1955 Florida. With few jobs and no education available to him, he ekes out a living by fishing and doing any other work that he can find, often using his boat. But it’s not enough for him or his common-law wife, Idella, who keeps threatening to leave him if he doesn’t become a more effective breadwinner. None of this is helped by his own love of gambling and his tendency to keep company with some of the town’s best-known criminals. When a local gangster offers him $2,450 to take part in a serious crime, Bobby knows that it would break the heart of his deeply religious mother and disappoint a smart teenage boy who idolizes him. But he also believes that it might be his only chance to keep his wife and get back some self-respect. One little boat ride quickly turns into a nightmare that consumes Bobby’s life even as he tries to conceal it from others. As the situation spirals further out of control, he finds that there may still be a way to get the redemption he seeks, even if it takes divine intervention. Overall, this book is well-paced, drawing readers into its time period without slowing the story down with excessive description. Bobby is a believable and mostly sympathetic protagonist; his personal character flaws are many and glaring, but it’s enjoyable to watch him struggle to overcome them. The book’s flaws, by comparison, are relatively small: the author tends to use double exclamation marks in dialogue when they’re not necessary, and he often tells readers what characters are feeling (“He liked being around him because he knew the teenager looked up to him”) instead of showing it through their actions. By and large, though, the story rises above these issues.

An imperfect but often engaging tale of an imperfect man seeking redemption.

Pub Date: April 20, 2017

ISBN: 978-0-9743790-3-6

Page Count: 268

Publisher: CreateSpace

Review Posted Online: Sept. 20, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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