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YELLOW MESQUITE

An engaging, if somewhat conventional, depiction of an artist’s struggle to find a community and maintain his integrity in...

From childhood, Harley Jay Buchanan views the world through the eyes of an artist, and his drive to develop this vision leads him from 1960s rural Texas to the dynamic, if pretentious, bohemian neighborhoods of New York in this coming-of-age novel.

Growing up in the bleak, drought-stricken landscape of Separation, Texas, Harley lives the normal life of a farmer’s son, doing a man’s work in the fields before school and playing first base on his high school baseball team. But Harley differs from his family and his pals in his compulsion to express the way he sees the world through his drawings and paintings, a divergence that he finds both thrilling and isolating. When he finds his girlfriend having sex with another boy, Harley hits the road to begin his journey toward becoming a real artist. After a promising beginning with a mentor in Dallas, Harley suspends his art education when his second girlfriend becomes pregnant. Ever responsible and decent, he takes a job in the oil fields to support his new family, coming under the patronage of Wendell Whitehead, an earthy oil tycoon, and his aristocratic wife, Mavis. Harley is still determined to get to New York, the center of the art world, and his torturous odyssey leads him to lose everything before finally taking the first steps toward finding himself. Along the way, he learns just how blind he has been to the most important aspects of his life. Asher (My Big Brother’s Birthday, 2015, etc.) has produced a persuasive portrait of a young artist’s passage to manhood, filled with unobtrusively evocative descriptions and characterizations. While some of Harley’s experiences veer from the predictable to the wildly improbable, the protagonist himself remains refreshingly honorable and doggedly persistent in pursuing his goal to become an artist. At one point, he finds inspiration in his own problems (“During the last few days he had at some level been grinding real-life events into a pictorial soup, struggling with how he might translate each ordeal into a graphic experience”). It is unfortunate that one of the work’s climactic scenes rings one of the few false notes in its comic portrayal of near-rape, but the compelling tale still sustains a hopeful tone throughout.

An engaging, if somewhat conventional, depiction of an artist’s struggle to find a community and maintain his integrity in 20th -century America.

Pub Date: July 29, 2014

ISBN: 978-1-4792-3946-7

Page Count: 456

Publisher: CreateSpace

Review Posted Online: Feb. 9, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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