A character-driven crime novel ruled by complex men facing the past.

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DIALOGUES OF A CRIME

In Manos’ crime drama, Michael Pollitz must decide whether to protect the mobster who has protected him.

When Mike, a college student in 1972 Illinois, is arrested on drug charges, his father insists he use a public defender. His childhood friend’s father, Dom Calabria, head of the Outfit in Chicago, wants to help Mike by providing a first-rate lawyer, but Mike goes with his father’s wishes. The outcome is a plea bargain for a short stay in Astoria Adult Correctional Facility—but after he’s brutally beaten and raped by three inmates, Mike spends most of his sentence in the infirmary. He doesn’t give up his assailants’ names but threatens their lives right before he’s set to be released. When Mike is picked up by the head of the mob, people notice. Flash forward to 1994, when Detective Larry Klinger begins investigating the murders of two former Astoria inmates who were violently killed shortly after being released. An informant—the third man who beat Mike—tells Klinger that the murders were committed by Calabria, the kingpin whom Klinger would like to see taken down. Klinger investigates, coming in contact with Mike, and the two form a friendship. When Klinger realizes that Mike will never give up Calabria, he begins to wonder whether it’s even worth investigating the murders of such evil men. Manos is extremely deft at allowing the characters to reveal the story and what motivates them. Klinger captures this particularly well; he ponders his role in the reality of crime and punishment, and Manos allows him to grow in the process: “Interviewing scumbags has to be the most tedious damn thing in the world, Klinger thought, as Bobby Andrews jumped back and forth over the same explanations, tripping over one lie after another.” The characters are rich in their speech, experiences and motivations, which the measured, purposeful writing only enhances.

A character-driven crime novel ruled by complex men facing the past.

Pub Date: July 26, 2013

ISBN: 978-1937484132

Page Count: 300

Publisher: Amika Press

Review Posted Online: Oct. 2, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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