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TOM PAINE

A POLITICAL LIFE

An aptly subtitled biography of the trailblazing political polemicist: This detailed account finds virtually no trace of a personal life. After his wife's death in childbirth in 1760, argues Keane (Politics/Polytechnic of Central London), Paine (17371809) reserved his primary passion for politics; his jobs as a corsetmaker and an exciseman in rigid, hierarchical England only sharpened his sense of economic and social injustice. The American colonies, seething on the brink of revolt when he arrived in 1774, were ripe for ``someone who supposed, with immense seriousness, that in politics words count.'' Common Sense, his blast against British rule in particular and monarchy in general, was deliberately written in plain language accessible to those previously excluded from political discourse; it outsold any other pamphlet ever published in the colonies and shaped the course of the American Revolution. It was Paine's ability to speak to the common people, as much as what he said, that made authorities of every stripe nervous: He gradually lost favor in more conservative, post-revolutionary America; his return to England climaxed with the 1791 publication of The Rights of Man, a work so radically democratic he was charged with seditious libel and forced to flee the country; in revolutionary France, he narrowly escaped execution during the Reign of Terror when he proved as allergic to state despotism of the left as of the right. The Age of Reason, written during those dark days as an attempt to define his militantly nonsectarian religious beliefs, ensured that Paine was damned as an atheist when he went back to America; the poignant final chapters show him, sick and abandoned by all but a few friends, still churning out pamphlets to guide the nation that now scorned him. Nothing really new here (despite occasional sniping at minor errors by previous Paine biographers) but a solid, well-written portrait that reiterates Paine's ongoing importance in contemporary discussions of democracy's potential and perils.

Pub Date: March 6, 1995

ISBN: 0-316-48419-9

Page Count: 640

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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