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THE MASK OF COMMAND

In aid of an obvious albeit inescapable conclusion, Keegan (Six Armies in Normandy, 1982; The Face of Battle, 1976; etc.) offers a virtuoso appreciation of military leadership down through the ages. For most of history, Keegan argues, warriors who "carry forward others to the risk of their lives" could reveal only as much of themselves as their followers required; all else had to be concealed by a mask of command. To probe this essentially, theatrical mystique, he examines the careers of four celebrated exemplars—Alexander the Great, "a supreme hero" and accomplished actor whose "being and performance merged in his person"; Wellington, whom Keegan characterizes as an anti-hero for his carefully planned, matter-of-fact approach to waging war on behalf of a constitutional monarchy; Ulysses S. Grant, whose self-consciously unheroic generalship the author judges appropriate for a popular democracy; and, by contrast, Hitler, who yearned for transcendent glory but was forced to engage in false heroics because: the destructive power of contemporary weapons barred him from running the risks required to reach the traditional ideal. While Keegan focuses on just four remarkable commanders, he does not limit himself to their exploits and the societies that empowered them. In his interpretive profile of Grant, for example, he considers the implications of the so-called gunpowder revolution (which among other results made obsolete edged-weapon warfare) and the presumptive meritocracy that obtained in Napoleon's armies. In a truncated postscript, Keegan asserts that, in light of nuclear realities, the world can no longer afford dramatic, let alone heroic, leadership. Indeed, he maintains, modern states must seek out post-heroic captains willing and able to abjure victory in their management of military power. A challenging, forceful, and timely analysis of martial governance. The text includes illustrations and maps (not seen).

Pub Date: Nov. 11, 1987

ISBN: 0140114068

Page Count: 404

Publisher: Viking

Review Posted Online: Oct. 13, 2011

Kirkus Reviews Issue: Oct. 15, 1987

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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