by John le Carré ‧ RELEASE DATE: Sept. 6, 2016
A satisfying recollection of a literary life well-lived.
An esteemed novelist offers alternately wry and haunted ruminations on a life of literature and intrigue.
In his 80s, le Carré (A Delicate Truth, 2013, etc.), the author of espionage-themed bestsellers and a Cold War–era member of British intelligence, seems keenly aware that his life blurs into his fiction. In this memoir, in which he pointedly uses his real name, David Cornwell, the author acknowledges the difficulty of teasing biography from a life devoted to novel writing. “Pure memory remains as elusive as a bar of wet soap,” he writes. “Or it does for me, after a lifetime of blending experience with imagination.” He avoids strict chronology in favor of a loose, episodic structure that outlines his work’s real-world influences and allows him to consider his evolving views on patriotism, geopolitics, the lives of writers, actors, directors, and rogues (specifically his con-man father), and other topics. He offers nuanced looks at unnerving times, especially regarding his intelligence work in West Germany; he argues that the soft reception given ex-Nazis fed leftist terrorism by young Germans decades later. Le Carré captures the creeping crises of the Middle East via the pursuit of a cagey Yasser Arafat, which inspired his novel The Little Drummer Girl: “After Arafat, anything else feels normal.” Similarly, the author contrasts his experiences in perestroika-era Russia with the robber-baron 1990s. He wonders, “were the new crime bosses the old ones in new clothes?” while expressing rueful nostalgia for his old-school adversaries. “I met two former heads of the KGB in my life and liked them both,” he writes. Le Carré also thoughtfully captures the tenor of his friendships with many luminaries (Alec Guinness, Richard Burton, Joseph Brodsky) while soft-pedaling old animosities (with the exception of traitor Kim Philby). Yet for all the cinematic glamour of le Carré’s experiences, reflections on the workaday realities of fiction writing may provide the most engaging aspect of this colorful valediction.
A satisfying recollection of a literary life well-lived.Pub Date: Sept. 6, 2016
ISBN: 978-0-7352-2077-5
Page Count: 320
Publisher: Viking
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: June 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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