Poet Loveday's Whitman-inspired first novel is narrated by a young man named Scrag who's traveling west with a wagon train. Scrag is alone in the world, but his fellow travelers become his family. Among them are Justly, a girl who is turning into a woman; Lorelei, Justly's mother; and Sylvester, a photographer there to record the trip ``as it was.'' What Sylvester does with images, Scrag achieves with words. He describes daily life—making fires, tending the animals, skinning rabbits—and tells of the exceptional occurrences, such as the travelers' encounter with a dead Indian, or Scrag's own sexual awakening at the sight of Justly wading. Along the trail, Lorelei teaches Scrag about love while Sylvester teaches him about poetry. In one of the book's loveliest scenes, Sylvester reads aloud from Leaves of Grass by candlelight while Lorelei gently holds Scrag and Justly sleeps. These are Scrag's ``halcyon days,'' as Sylvester tells him. In the wilderness, the love between a young man and an older woman can flourish and the unschooled can appreciate poetry, but Scrag knows that the trail must eventually end. When the party reaches Halo, a violent frontier town that belies its name, things that were beautiful and innocent in the wilderness are defiled—a chambermaid leers at Lorelei and Scrag, and townspeople seize Sylvester's pictures and destroy them. Sylvester himself is arrested for perversion, and he is tried in a kangaroo court by a judge who knows nothing of art. The wagon train moves on, but with the sadness that accompanies reality. When they reach Oregon, Scrag leaves his extended family and goes on to Oregon City with Lorelei and Justly. He takes with him the lessons he learned on the trail and a purpose in life: to record truth as Sylvester has recorded it—the way it was. A haunting story told with unaffected elegance.
Pub Date: Oct. 3, 1994
ISBN: 0-15-600113-6
Page Count: 286
Publisher: Harvest/Houghton Mifflin Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1994
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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