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THE END OF SUMMER

A troubled boy triumphs over death by talking to a puddle—in this pillow-soft, feel-good first novel from Ohio writer Lamb. Twelve-year-old Nick hears voices when he ventures beyond the tragedy-stricken boundaries of his family's Ohio farm. A few months before, a road accident killed his father and left his mother bedridden, leaving Nick in the care of a lonely alcoholic aunt. Seeking solace along familiar paths and streams, the boy also communicates with Indian dead from a nearby burial mound, listening as they bemoan bitterly their murder long ago by a marauding tribe. One day after a rainstorm, Nick is stopped by a new voice—this one coming from a fresh puddle and begging him for help. Thus begins a crucial phase in Nick's recovery as he and the puddle swap thoughts and discuss the hard truths of love and loss. When the stray barn- cat he's befriended (and named The Ghost) is diagnosed with feline AIDS and grows steadily sicker, Nick makes a painful choice to end its misery—an act that at last allows him to come to terms with reality. Silencing the Indian voices, permitting dead neighbors and a girlfriend killed by a train to exit his world—where they had continued to carry on as if alive—he also sets free his mother, who actually died a few days after the accident. The puddle-voice is liberated as well—by the heat of summer and a thirsty dog; the dog then becomes Nick's companion, making him a normal country boy once more. Cutesy philosophizing is bad enough, but when added to watered-down, washed-out characters and a Disney-happy plot, an already thin debut story gets all the less appealing.

Pub Date: July 1, 1995

ISBN: 0-684-80358-5

Page Count: 176

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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