Overlong and sometimes overbearing but will appeal to Lurie fans and students of the 1980s downtown NYC scene.
The artist, director, musician, composer, and founder of the Lounge Lizards assesses his life and work.
"My hope is, as with all my work, that this book will be something people find uplifting," writes Lurie—but by the time he titled this memoir, he likely realized that it had become a compendium of the bones he has to pick with the army of people who have wronged him. The story begins well, as the author wryly details his youth in Worcester and his early years in New York City. He was a major player in the artistically charged, drug-addled 1980s downtown scene, where all the painters had bands and all the musicians made movies. It is around this point that, despite many avowals—"I have been kind to some people who, years later, when I was in trouble, were heinous to me"—the author sheds the kid gloves. Halfway through, “The World’s Longest Footnote” introduces his beef that he is being "disappeared" from the story of his friend Jean-Michel Basquiat and identifies his nemesis, Jim Jarmusch. Though he didn't mean to “slag Jim off,” he writes, “I feel like I have to hurry up and get this book published before Jim Jarmusch gets hold of it and puts it out as his own memoir.” From there, Lurie delves into the pitfalls of the touring musician (“I really do remember every bad gig we ever did, and nine out of ten times it was caused by not being able to hear ourselves onstage”), the nightmare of mixing albums, and the difficulties of acting. Of Willem Dafoe: “He never complained, which is something that is completely beyond me.” On Page 306, he issues a warning to readers: “if this shit bugs you, you may skip to the next chapter.” He wisely cuts off the story sometime in the 1990s. Thankfully, the author’s self-aware humor makes the bone-picking bearable.
Overlong and sometimes overbearing but will appeal to Lurie fans and students of the 1980s downtown NYC scene.Pub Date: Aug. 17, 2021
ISBN: 978-0-399-59297-3
Page Count: 448
Publisher: Random House
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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