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LOGAN'S HILL:

THE BLOOD BROTHERS OF THE NIGHT

Enthralling potboiler that looks not at innocence lost, but innocence that perseveres.

A nostalgic, humorous chronicle about coming-of-age in 1975 rural America.

Retired Marine Scanlan (Dink-Gadink, 2005, etc.) revisits his Circleville, Ohio, birthplace, the backdrop for this big-city-thugs-meet-small-town-kids caper, for his third novel. The story opens as two boys huddle around a night fire on Logan’s Hill–a young Alex Wellesley and his best friend Jake pinprick their thumbs as part of their initiation as Blood Brothers of the Night. Innocence abounds in this postcard-perfect town as Alex, Jake and their bike-riding pals engage in the yearly ritual of summer vacation and its typical boy play. Enter the bad guys: Kevin Kiley and his two henchmen, Goon One and Goon Two. After fleeing a crime spree in the Big Apple, the three stop for gas and heedlessly forget a doctor’s kit stuffed with stolen something-or-other (its contents unknown until the novel’s last page) in the men’s room. The plot unfolds as Alex, operating under the old adage “finder’s keepers,” stumbles across the kit and decides it would make a good bag in which to stash his toys. From the sheriff and his sidekick, to an old-timer gas attendant and Rosie the local waitress, the whole town gets involved in the mystery of the black bag. Although the premise (the bad guys forgetting their loot) is somewhat implausible, Scanlan throws together a motley cast worthy of Disney’s zaniest such as Jake’s mom, Saint Dorothy and a wayfaring ex-con named Butch. Little details–returnable Fanta bottles, a stack of Life and Look magazines, kung-fu grip G.I. Joe dolls and Foghat on the radio–provide added charm as the book harkens back to the ’70s and simpler times. Aside from the occasional expletive, the book’s simple style makes it a tale that could easily double as young adult literature. Scanlan’s explorations of doublespeak (followed by italicized true thoughts), coupled with his masterful shifts between young and adult points of view, keep the pages turning.

Enthralling potboiler that looks not at innocence lost, but innocence that perseveres.

Pub Date: Jan. 28, 2008

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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