by John M. Zurak ‧ RELEASE DATE: July 12, 2016
A sprawling fable that illuminates Bosnian culture and history through unique, multidimensional characters.
This magical realist debut novel explores a family’s connection to the mountains of post–World War II Bosnia.
Mijo Pavlović’s young son, Mirko, says that a bee “bit” him during a winter night, but despite the narrator’s insistence, Mijo doesn’t believe it’s one of the fairylike “Wisps” that nip children and give them “dreams that stir the soul.” Zurak’s first-person omniscient narrator initially and charmingly evokes an old-fashioned storyteller—“But alas, we who they visit cannot hear them”—but this technique is later dropped. Years later, when Mirko is drafted into Communist Yugoslavia’s navy, he doesn’t understand “why [his family members] would want to stop him” from sailing the world, so he leaves home angrily. His 13-year-old brother, Mato, must now support the family, and he runs 20 miles to and from the steel mill each day. One night, “demons of the forest” attack him, and he climbs a magical tree that becomes a lifelong sanctuary. When Mato is 16, the pretty, talented Verka brightens his outlook, and the troubled Mirko, newly returned from service, attempts to gain her affections. Only when Mato faces impending military service does Mirko confess his own horrific war experiences. Mato listens, and during his military years he writes home: “There’s a beautiful price in doing [Yugoslav dictator Josip Broz] Tito’s most beautiful work.” When Mato finally returns to his family (including his daughter, the titular but oddly unimportant Kata), Mijo offers his son “a gift,” in a speech that borders on preachy. Soon, Mato decides to battle his demons literally, in ways that don’t quite fit with the novel’s fabulist tone. That said, Zurak’s prose sparkles with memorable characters and images, as well as some graceful lines, such as “Nations remember peace like your stomach remembers being full.” Further editorial polishing to eliminate repetition, clunky dialogue (“Oh, you got me. Wow!”), and syntactical and punctuation errors would have increased this ambitious novel’s impact.
A sprawling fable that illuminates Bosnian culture and history through unique, multidimensional characters.Pub Date: July 12, 2016
ISBN: 978-0-9971748-0-9
Page Count: 332
Publisher: Hullabaloo Bookery
Review Posted Online: Dec. 9, 2016
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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