Next book

BUT YOU SCARED ME THE MOST

AND OTHER SHORT STORIES

Clever fables about nightmares both real and imagined.

Maine-based writer Manderino (The H-Bomb and the Jesus Rock, 2010, etc.) plumbs the depth of domestic horror in these fleeting but beguiling stories about ghosts, murders, monsters, and madmen.

In “A Certain Fellow Named Phil,” our narrator confesses to killing Veronica, an inflatable sex doll. “Nessie” finds a middle schooler obsessed with the sea monster and the sadness of “Puff the Magic Dragon.” In “Bigfoot Tells All,” the mighty beast tells us about his girlfriend (a bear) and the time he ate a person recently: “The look on that man’s face. Priceless.” “Wolfman and Janice” is a domestic drama in the vein of Tom Waits about a werewolf and his girlfriend. The title story finds an old woman frightened of a bump in the night speaking to a dead husband who may or may not be imagined. “I don’t think I’m going to die tonight,” she says. “But I’ll be there soon, George, I’m sure. Meanwhile, be happy, dear. But not completely.” In “No Place Like Home,” a boy wonders about the differences between Dorothy Gale and a local girl named Gloria. “But maybe Dorothy had the right idea, staying close to home,” he ponders. “Gloria’s body was discovered one morning under some bushes in a park two towns away, her bicycle lying nearby.” “Bob and Todd” covers the dialogue between a hitchhiker and a driver who may or may not have a dead body in the trunk. In “Jamey’s Sister,” a dead soldier’s sister must compose a letter to the president. “Mr. President, do you know what you are? You are a monster. You don’t have horns or hoofs or fangs or fur, but that is what you are, a monster,” she writes. Still other stories concern themselves with twisted versions of Barbie, Nancy Drew, and other pop-culture icons.

Clever fables about nightmares both real and imagined.

Pub Date: June 1, 2016

ISBN: 978-1-61373-475-9

Page Count: 224

Publisher: Academy Chicago

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

Categories:

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • New York Times Bestseller

Next book

THE BAZAAR OF BAD DREAMS

STORIES

Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • New York Times Bestseller

A gathering of short stories by an ascended master of the form.

Best known for mega-bestselling horror yarns, King (Finders Keepers, 2015, etc.) has been writing short stories for a very long time, moving among genres and honing his craft. This gathering of 20 stories, about half previously published and half new, speaks to King’s considerable abilities as a writer of genre fiction who manages to expand and improve the genre as he works; certainly no one has invested ordinary reality and ordinary objects with as much creepiness as King, mostly things that move (cars, kid’s scooters, Ferris wheels). Some stories would not have been out of place in the pulp magazines of the 1940s and ’50s, with allowances for modern references (“Somewhere far off, a helicopter beats at the sky over the Gulf. The DEA looking for drug runners, the Judge supposes”). Pulpy though some stories are, the published pieces have noble pedigrees, having appeared in places such as Granta and The New Yorker. Many inhabit the same literary universe as Raymond Carver, whom King even name-checks in an extraordinarily clever tale of the multiple realities hidden in a simple Kindle device: “What else is there by Raymond Carver in the worlds of Ur? Is there one—or a dozen, or a thousand—where he quit smoking, lived to be 70, and wrote another half a dozen books?” Like Carver, King often populates his stories with blue-collar people who drink too much, worry about money, and mistrust everything and everyone: “Every time you see bright stuff, somebody turns on the rain machine. The bright stuff is never colorfast.” Best of all, lifting the curtain, King prefaces the stories with notes about how they came about (“This one had to be told, because I knew exactly what kind of language I wanted to use”). Those notes alone make this a must for aspiring writers.

Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.

Pub Date: Nov. 3, 2015

ISBN: 978-1-5011-1167-9

Page Count: 512

Publisher: Scribner

Review Posted Online: Aug. 16, 2015

Kirkus Reviews Issue: Sept. 1, 2015

Next book

DIFFICULT WOMEN

Not every story works, but Gay is an admirable risk-taker in her exploration of women’s lives and new ways to tell their...

A collection of stories unified in theme—the struggles of women claiming independence for themselves—but wide-ranging in conception and form.

The women who populate this collection from the novelist and essayist Gay (Bad Feminist, 2014, etc.) are targets for aggressions both micro and macro, from the black scholar in “North Country” who receives constant unwelcome advances and questions of “Are you from Detroit?” to the sisters brutally held in captivity while teenagers in the bracing and subtle “I Will Follow You.” Gay savvily navigates the ways circumstances of gender and class alter the abuses: “Florida” is a cross-section of the women in a wealthy development, from the aimless, neglected white housewives to the Latina fitness trainer who’s misunderstood by them. The men in these stories sometimes come across as caricatures, archetypal violent misogynist-bigots like the wealthy white man playing dress-up with hip-hop culture and stalking the student/stripper in “La Negra Blanca.” But again, Gay isn’t given to uniform indictments: “Bad Priest” is a surprisingly tender story about a priest and the woman he has an affair with, and “Break All the Way Down” is a nuanced study of a woman’s urge for pain in a relationship after the loss of her son. Gay writes in a consistently simple style, but like a longtime bar-band leader, she can do a lot with it: repeating the title phrase in “I Am a Knife” evokes the narrator’s sustained experience with violence, and the title story satirizes snap judgments of women as “loose,” “frigid,” and “crazy” with plainspoken detail. When she applies that style to more allegorical or speculative tales, though, the stories stumble: “Requiem for a Glass Heart” is an overworked metaphorical study of fragility in relationships; “The Sacrifice of Darkness” is ersatz science fiction about the sun’s disappearance; “Noble Things” provocatively imagines a second Civil War but without enough space to effectively explore it.

Not every story works, but Gay is an admirable risk-taker in her exploration of women’s lives and new ways to tell their stories.

Pub Date: Jan. 3, 2017

ISBN: 978-0-8021-2539-2

Page Count: 272

Publisher: Grove

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

Categories:
Close Quickview