Visual learners and younger children alike will pore delightedly over these nearly wordless sequences.
Four whimsical cartoon outings feature an overlapping cast of small anthropomorphic animals artfully placed to lead eyes up, down, around and past page turns to mishaps and surprises.
Doug (a duck) and Mouse, plainly a pair of adrenalin junkies, open with a looping airplane flight, go on to pose in 24 adventuresome settings laid out on a single spread, then take a boat ride that ends up under water. The titular cat joins the intrepid travelers for an underground pizza party, steps out himself to try on 32 different occupational outfits—again on a single spread—and goes on to a series of amusing experiments in a chemistry lab and elsewhere. In the third episode, rabbit-eared Connie spends a day in a Rube Goldberg–ian mechanical house, attends a birthday party and enjoys a spaghetti dinner at a trattoria—before an extra-long strand leads to an extremely long slurp. In the final chapter, elderly Mr. and Mrs. Hamhock wait at the bus stop through night and day and through seasons, a vignette clearly inspired by Waiting for Godot. Both the sight gags and the characters’ comical responses are easy to track in Martz’s flat, minimally detailed, graphic-style art.
Visual learners and younger children alike will pore delightedly over these nearly wordless sequences. (Picture book. 3-7)Pub Date: Sept. 9, 2014
ISBN: 978-1-927668-10-8
Page Count: 52
Publisher: Koyama Press
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sure to assuage the fears of all astronauts bound for similar missions.
A genius way to ease kids into the new adventure that is kindergarten.
In an imaginative ruse that’s maintained through the whole book, a young astronaut prepares for his mission to Planet Kindergarten. On liftoff day (a space shuttle–themed calendar counts down the days; a stopwatch, the minutes), the small family boards their rocket ship (depicted in the illustrations as the family car), and “the boosters fire.” They orbit base camp while looking for a docking place. “I am assigned to my commander, capsule, and crewmates.” Though he’s afraid, he stands tall and is brave (not just once, either—the escape hatch beckons, but NASA’s saying gets him through: “FAILURE IS NOT AN OPTION”). Parents will certainly chuckle along with this one, but kindergarten teachers’ stomach muscles will ache: “[G]ravity works differently here. We have to try hard to stay in our seats. And our hands go up a lot.” Prigmore’s digital illustrations are the perfect complement to the tongue-in-cheek text. Bold colors, sharp lines and a retro-space style play up the theme. The intrepid explorer’s crewmates are a motley assortment of “aliens”—among them are a kid in a hoodie with the laces pulled so tight that only a nose and mouth are visible; a plump kid with a bluish cast to his skin; and a pinkish girl with a toothpick-thin neck and huge bug eyes.
Sure to assuage the fears of all astronauts bound for similar missions. (Picture book. 3-7)Pub Date: May 20, 2014
ISBN: 978-1-4521-1893-2
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
Comprehension sacrificed in the name of goofiness.
An epic quest to save the day begins with an unlikely hero.
A folded paper fortune teller game discovers that she’s been abandoned on the school playground before anyone got a chance to use her. After she meets up with a partially eaten chip named (you guessed it) Chip, the two set off to return an errant bolt to a slide’s ladder. Along the way, they encounter various foes—a squirrel, a basketball, a cloud—each of whom is defeated as Forty tells them a ridiculous fortune (“Your bottom will turn into balloons and you will float away!”) that inexplicably becomes true. By the end, it’s clear that “Forty” doesn’t stand for “Fortune Teller” but for “Fortitude,” and the tale concludes with a tacked-on message about how everyone can write their own fortunes. Frankly, it doesn’t make a whole lot of sense. Throughout, Daywalt throws a wide variety of ideas onto the page with only the most tenuous strings of connection keeping the story together. Thematically, the book resembles his The Legend of Rock, Paper, Scissors (2017), illustrated by Adam Rex, yet it lacks that work’s cohesive and comprehensible storytelling, raising more questions than it answers. Cornell’s lively, comic book–style art tries in vain to wrestle Daywalt’s writing into some semblance of order.
Comprehension sacrificed in the name of goofiness. (Picture book. 4-7)Pub Date: Feb. 24, 2026
ISBN: 9780593691465
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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