McGahern’s luminous threnody to the particulars and permutations of aging and change is captured in prose of the utmost...
An episodic and subtly elegiac group portrait of life in a contemporary Irish village: the sixth, and best, novel—and first in 12 years—from veteran author McGahern (Amongst Women, 1990, etc.).
Originally published in Great Britain as That They May Face the Rising Sun, it focuses on Joe and Kate Ruttledge, a former London couple who live modestly by working their small lakeside farm—and, with gradually increasing clarity and intensity, on the friends and neighbors whose intermittently shared lives become all but inseparable. McGahern introduces his characters in the most natural way imaginable—as casual visitors who drop in for a drink and a chat, and as subjects of stories they all tell about one another. Joe’s uncle, the wealthy businessman nicknamed “the Shah,” who conceals his lonely vulnerability beneath a veneer of brisk efficiency; neighbor Jamesie, a compulsive taleteller and gossip and his quiet wife Mary; aging pensioner Bill Evans, still traumatized by physical abuse he suffered in boyhood at the hands of wrathful priests; contractor Patrick Ryan, who never finishes anything he starts—professionally or personally; a genial Don Juan, John Quinn, who keeps finding propertied widows to marry: all become part of the comforting (and smothering) fabric that sustains the Ruttledges “by the lake,” impervious to the siren call of more lucrative employment in London. Very little happens, apart from Quinn’s incessant amours. Jamesie’s rootless brother Johnny, an annual visitor, may come “home” to stay; but the threat passes. The Shah retires, and his longtime employee manages (with Joe’s aid) to buy his business. Hints of more earthshaking occurrences follow the arrival of an otherwise typical spring, as local IRA leader Jimmy Joe McKiernan leads an “Easter March” through the hamlet that had thought itself immune to such “troubles.”
McGahern’s luminous threnody to the particulars and permutations of aging and change is captured in prose of the utmost simplicity and precision, keenly alert to the rhythms of lives lived close to the bone and in quiet harmony with the natural world.Pub Date: March 11, 2002
ISBN: 0-679-41914-4
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2002
BOOK REVIEW
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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