ALL WILL BE WELL

A MEMOIR

Occasionally meandering, but possessing a quiet authority and subtle emotional power.

A gloomy memoir of growing up amid harsh conditions in rural Ireland.

Born in 1934, novelist McGahern (By the Lake, 2002, etc.) traces his childhood in and around Leitrim, a central lake town at the base of the Iron Mountains where the soil is extremely poor and life rather grim and joyless. Early on, he and his three sisters (more siblings arrived later) lived with their paternal grandmother and mother in Ballinamore, while their father, a former IRA member now serving as a sergeant in the army, was stationed at the barracks 20 miles away in Cootehall. Young Sean, as the boy was known, clung to his gentle mother, Sue, a schoolteacher. Although she never beat her children, she couldn’t protect them from the occasional explosive brutality of their willful, handsome father or the routine canings received at the hands of schoolmistresses. At the base of the violence tolerated by this deeply Catholic society, asserts McGahern, “was sexual sickness and frustration”: Sex was deemed unclean, and the division between body and soul firmly demarcated. After their mother died of cancer, ten-year-old Sean and his siblings lived at the whim of their coldly calculating father. The children drew together for survival, scrambling to educate themselves and then get away from home. Sean was accepted at a teachers’ training college in Dublin closely associated with the Church, which assured him of a good job at a time when many Irish people were forced to find employment in Britain or abroad. His father gradually declined in mental and physical health just as Sean’s literary star was rising; his first novel, The Barracks, won the AE Memorial Award in 1963. After he married, the author moved back to Leitrim, mostly as a gesture toward the memory of his beloved mother.

Occasionally meandering, but possessing a quiet authority and subtle emotional power.

Pub Date: Feb. 13, 2006

ISBN: 1-4000-4496-0

Page Count: 320

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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