THE SERPENT'S CROWN

In an amateurish first novel about a pair of amateur detectives, the Acting President of the US plays the latest in high-tech, dirty campaign tricks on his high-minded electoral opponent, whose aide has to clean up the mess in the few days left before the election. The smear job pulled on the ambitious but upright Senator Gillian makes Watergate look like cherry bombs in the toilet. Making their approach through New York Times reporter Mitch Rydell, shadowy neo-Nazis claim to have proof of ties between their group and the liberal senator. Rydell will buy the story if the old friend who brought the news to him comes through with journalistically sound documentation of the charge. The proof never arrives, the friend mysteriously dies, Rydell backs off, and it is up to a malicious TV reporter to make the charge of crypto-fascism in the middle of the first nationally televised debate between Gillian and Acting President Erhardt, the zillionaire former electronics mogul who ascended to the throne when the President went into a coma. Gillian's campaign aide Laura Madison, who hopes to be presidential press secretary, gets the order to drop everything and trace the dirty tricks to their source—a messy job that gets messier when Laura and Mitch sit up to watch the news on cable and then see a fake photo of Gillian with his arm around a supposedly dead Nazi on an ethnic, evangelical cable channel. The undead Nazi quickly pops up to say it's all nonsense before he too dies a mysterious and final death. The deeper the frightened journalism majors dig, the worse everything looks.... Nancy Drew and The Case of the Mysterious Character Assassination.

Pub Date: June 14, 1991

ISBN: 0-8027-1146-4

Page Count: 252

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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