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BORN ON A TRAIN

STORIES

McManus seems enamored of trapping his characters in hillbilly hell and stranding both them and readers there—for an...

Backcountry doom and gloom in tales that strive for authenticity and occasionally achieve it.

This second collection by the 24-year-old McManus (Stop Breakin’ Down, 2000) paints portraits of losers on their spirals into the depths—something that doesn’t always translate into must-read fiction. The opener, “Brood,” concerns a teenaged girl whose mother has just moved in with her new boyfriend met over the Internet. The new beau’s son, Eammon, has malformed teeth and an ugly disposition, so of course he’s been hitting on her nonstop. Everyone talks at everyone else in half-understood ciphers, coded text that takes more time to decipher than one really wants to spend. In “Aurora,” a young boy drives the freeways with his stickup-man father and pregnant, gloomy mother. They appear to be on a halfhearted sort of crime spree, the parents arguing and the father trying to keep his son’s spirits up. Meanwhile, this nuclear family thinks that the atmosphere outside is full of radiation, closing in on them like the law, who could be setting up roadblocks any minute: one of the better selections here, the story is a powerful portrait of the invisible forces waiting to engulf us all. One of the only pieces that breaks the mold is “Cowrie,” about two young friends in Australia, one an Iranian immigrant who says that, during the Iran-Iraq war, he shot an uncounted number of Iraqi soldiers his age or younger. The two hitch a ride from a couple of good ol’ boys, the Iranian dressed up as a woman to entice drivers. Along the way, he tells the men about his exploits during the war, convincing them he’s female, and they speed off down the freeway, swapping stories. Again, it doesn’t come to much—and doesn’t leave much of an impression.

McManus seems enamored of trapping his characters in hillbilly hell and stranding both them and readers there—for an inordinate amount of time.

Pub Date: March 1, 2003

ISBN: 0-312-30185-5

Page Count: 272

Publisher: Picador

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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