by John Mitchell ‧ RELEASE DATE: May 30, 2013
A startling, sometimes-chilling tale of mental illness and familial abuse.
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Mitchell’s debut novel is an autobiographical account of a young lad in a broken home, living in poverty and surrounded by death and madness.
In 1960s England, 5-year-old John has already experienced life’s worst: He’s watched relatives die, suffered the abuses of an alcoholic father and contended with poverty—all while living in a dilapidated home. But it gets worse. John’s older sister, Margueretta, locks him in the cellar, where he believes something hides in the dark with him. As the boy moves closer to adulthood, he continues to fall victim to Margueretta, who beats him often and slowly becomes unhinged. The ghosts in the author’s book are metaphorical, but that doesn’t lessen the impact of this powerful narrative, which is both a coming-of-age story for John and a blistering chronicle of his sister’s physical and psychological torment of him. The novel also portrays more typical adolescent scenes, like John and his friend, Danny, trying their best to see girls’ knickers or a teacher answering male students’ anonymous and detailed questions about sex. But these plotlines work best as amusing reprieves—not from “that thing in the corner” awaiting John in the cellar, but from the reason he’s in the cellar in the first place. Margueretta’s behavior toward her little brother is despicable; she verbally degrades him, pulls his hair and spits on him. But as the story progresses, Margueretta is more and more terrifying. She starts hearing voices that tell her to kill herself, which she attempts to do with a bread knife. John’s life in a poor family brims with poignant scenes that are both bleak and tongue-in-cheek: John and his twin sister, Emily, visit Auntie Dot, who’s unfazed by either cat hair in the kids’ food or an unlabeled can, donated by church members, and its most unwelcome contents. But it’s Margueretta who leaves the strongest impression, and this is no more forcefully emphasized than when John, seeing his sister’s face during a psychotic episode, says, “Now I know what the Devil looks like.” The title suggests a ghost story, but a boy witnessing firsthand the onset and evolution of a mental breakdown is as bloodcurdling as anything supernatural, perhaps more so.
A startling, sometimes-chilling tale of mental illness and familial abuse.Pub Date: May 30, 2013
ISBN: 978-0615793207
Page Count: 438
Publisher: Inclusic
Review Posted Online: June 26, 2013
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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