A compelling family tale with convincing, psychologically perceptive writing.

VIRTUE

A fractured family seeks a way out of a series of crises in this debut novel.

Tom Holder is a tenured professor of philosophy employed by Barnes College in Maine. He likes teaching but not writing and churns out “just enough pedagogical crap to maintain tenure.” He has recently completed the first draft of a book written with the intention of “lancing Trump with a sharp-edged pen” and pissing off “people in high places.” The latter objective is achieved immediately, as the work’s contents land Tom in the crosshairs of the “loathsome” college president, Amos Whitely. Meanwhile, Tom’s wife, Hannah, is discontent with being a stay-at-home mom. Before Tom received his tenure, she was the main breadwinner, working in a bank in Boston in a management training program. Her prospects of becoming a professional were derailed with the move to Maine, where she grew resentful of Tom’s success. Their children, Madison, 14, and Dillon, 15, have their own problems. Madison is the target of a homophobic slur in high school. Meanwhile, sophomore Dillon is brought home by a police officer after being caught drinking. The status quo of the family is further disrupted when Hannah decides to take the LSAT with the hope of returning to Boston and attending law school. Tom also learns that his estranged father, whom he has not seen in over 20 years, has been diagnosed with cancer. As pressures build, Tom and Hannah find their marriage under considerable strain.

The story is poignantly recounted in intimate alternate chapters from the perspectives of Tom and Hannah. Moot writes with a succinct eloquence, creating a cast of psychologically plausible characters. For instance, when Hannah learns that Madison has been called a “dyke” by a boy at school, the intensity of her shifting emotions is palpable: “Digest, process, breathe. Calm, thoughtful mother. No, fuck that. Rage. Protect your daughter. ‘I’m calling his mother.’ ” The chapters written from Tom’s point of view are sufficiently distinct in tenor to convince readers that the narrative is being delivered by a different person. Tom is contrastingly self-involved and self-pitying: “I rolled out of bed, fed Bart and let him out. A man’s best friend. A man’s only friend. I put on a pot of coffee and showered while it brewed.” Moments such as these capture an everyday routine with which most readers will be familiar, and the difficulties faced by the Holder family are easy to relate to. The reasons behind Tom’s becoming estranged from his father add an extra element of intrigue to an already strong plot, and Moot’s examination of family secrets and teenage rebellion proves thought-provoking. On rare occasions, Tom’s narrative feels stiff and contrived, as though it has been lifted from an academic study, although this may be an intentional reflection of his professional diction: “Religion supplies answers for some. It soothes our existential anxiety by reassuring us that there is a higher power with a larger plan.” This does not detract from a carefully conceived and sharply written novel with characters that are impossible not to root for.

A compelling family tale with convincing, psychologically perceptive writing.

Pub Date: Aug. 4, 2020

ISBN: 978-1-73458-002-0

Page Count: 256

Publisher: Roads End Books LLC

Review Posted Online: June 17, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

IT STARTS WITH US

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

FAIRY TALE

Narnia on the Penobscot: a grand, and naturally strange, entertainment from the ever prolific King.

What’s a person to do when sheltering from Covid? In King’s case, write something to entertain himself while reflecting on what was going on in the world outside—ravaged cities, contentious politics, uncertainty. King’s yarn begins in a world that’s recognizably ours, and with a familiar trope: A young woman, out to buy fried chicken, is mashed by a runaway plumber’s van, sending her husband into an alcoholic tailspin and her son into a preadolescent funk, driven “bugfuck” by a father who “was always trying to apologize.” The son makes good by rescuing an elderly neighbor who’s fallen off a ladder, though he protests that the man’s equally elderly German shepherd, Radar, was the true hero. Whatever the case, Mr. Bowditch has an improbable trove of gold in his Bates Motel of a home, and its origin seems to lie in a shed behind the house, one that Mr. Bowditch warns the boy away from: “ ‘Don’t go in there,’ he said. ‘You may in time, but for now don’t even think of it.’ ” It’s not Pennywise who awaits in the underworld behind the shed door, but there’s plenty that’s weird and unexpected, including a woman, Dora, whose “skin was slate gray and her face was cruelly deformed,” and a whole bunch of people—well, sort of people, anyway—who’d like nothing better than to bring their special brand of evil up to our world’s surface. King’s young protagonist, Charlie Reade, is resourceful beyond his years, but it helps that the old dog gains some of its youthful vigor in the depths below. King delivers a more or less traditional fable that includes a knowing nod: “I think I know what you want,” Charlie tells the reader, "and now you have it”—namely, a happy ending but with a suitably sardonic wink.

A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

Pub Date: Sept. 6, 2022

ISBN: 978-1-66800-217-9

Page Count: 608

Publisher: Scribner

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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