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A BINTEL BRIF

Awards & Accolades

Our Verdict

  • Our Verdict
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Veteran author and translator Nathan (Living Carelessly in Tokyo and Elsewhere, 2008, etc.) returns with a historical novel that artfully fuses the immigrant experience of 1910s New York with dark romance and political intrigue.

By most measures, Abraham Cahan is a successful man—he’s the author of seminal works of Jewish immigrant fiction, a leftist political activist, a pillar of the community and an esteemed newspaper editor of the Yiddish-Socialist Forward, for which he writes an indispensable advice column. But a loveless, sterile marriage has left an emotional void in Cahan’s life, one exacerbated by his estrangement from the religious practices of his youth. So when a troubled woman writes the newspaper with a letter claiming familial sexual abuse, accompanied by a titillating photograph, Cahan ingratiates himself into her life with less than the purest motives. Though he vaguely suspects the situation is more than what it seems, he quickly finds himself drawn into a tangled plot with strands that seemingly lead to his professional competitors as well as the far more powerful interests of the Tammany Hall political machine. Before he knows it, Cahan’s reputation and fortunes teeter on the brink of ruin. Nathan’s rich, beautifully descriptive prose advances the story at a relaxed pace while realizing the crowded, variegated world of the Lower East Side in all its overstuffed essence. Nathan expertly characterizes Cahan, a historical figure, as a man tugged in many directions by competing forces: between Jewish shtetl culture and assimilationist modernity, between gradual socialist change and the forceful demands of revolutionaries, and between the need to maintain propriety and the desires of his heart. Although the writing is somewhat halting and stuffy in the early going, Nathan finds his stride just as the passions of his protagonist awaken and bloom. A well-rendered, appealing period piece.

 

Pub Date: Feb. 25, 2011

ISBN: 978-1456857493

Page Count: 220

Publisher: Xlibris

Review Posted Online: July 29, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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