Veteran author and translator Nathan (Living Carelessly in Tokyo and Elsewhere, 2008, etc.) returns with a historical novel that artfully fuses the immigrant experience of 1910s New York with dark romance and political intrigue.
By most measures, Abraham Cahan is a successful man—he’s the author of seminal works of Jewish immigrant fiction, a leftist political activist, a pillar of the community and an esteemed newspaper editor of the Yiddish-Socialist Forward, for which he writes an indispensable advice column. But a loveless, sterile marriage has left an emotional void in Cahan’s life, one exacerbated by his estrangement from the religious practices of his youth. So when a troubled woman writes the newspaper with a letter claiming familial sexual abuse, accompanied by a titillating photograph, Cahan ingratiates himself into her life with less than the purest motives. Though he vaguely suspects the situation is more than what it seems, he quickly finds himself drawn into a tangled plot with strands that seemingly lead to his professional competitors as well as the far more powerful interests of the Tammany Hall political machine. Before he knows it, Cahan’s reputation and fortunes teeter on the brink of ruin. Nathan’s rich, beautifully descriptive prose advances the story at a relaxed pace while realizing the crowded, variegated world of the Lower East Side in all its overstuffed essence. Nathan expertly characterizes Cahan, a historical figure, as a man tugged in many directions by competing forces: between Jewish shtetl culture and assimilationist modernity, between gradual socialist change and the forceful demands of revolutionaries, and between the need to maintain propriety and the desires of his heart. Although the writing is somewhat halting and stuffy in the early going, Nathan finds his stride just as the passions of his protagonist awaken and bloom. A well-rendered, appealing period piece.
Pub Date: Feb. 25, 2011
ISBN: 978-1456857493
Page Count: 220
Publisher: Xlibris
Review Posted Online: July 29, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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