by John Neeleman ‧ RELEASE DATE: Oct. 15, 2024
A well-researched, true-life drama that makes history—and the players in it—feel utterly alive.
Awards & Accolades
Our Verdict
GET IT
Neeleman’s sprawling historical novel follows the tumultuous events of the French Revolution and three key players whose lives get swept up in the violence.
The prologue begins in 1789, just two days before the storming of the Bastille. Radical journalist Camille Desmoulins witnesses firsthand the chaos that ensues when it is announced that the French king has dismissed the last remaining liberal among his ministers. Two years later, the English American political activist Thomas Paine is in Paris to oversee the translation of his famous book, Rights of Man. He awakens to the news that King Louis XVI and Marie Antoinette, having been imprisoned by the people in their Tuileries Palace for over a year and a half, have fled. Meanwhile, the opportunistic politician Joseph Fouché manages to gain increasing sway over constituents of the National Convention, which moves to make France a republic instead of a monarchy. As readers follow the increasingly intricate personal and political activities of these three characters as their individual story threads come together, there are many supporting players who are also drawn in—from the deeply divisive Maximilien Robespierre, whose radical and sometimes violent ways bring danger to those around him (and eventually himself) to Marguerite Brazier, whose complicated personal relationship with Paine sometimes threatens to overshadow her political involvement. Neeleman also navigates the often labyrinthine dealings of dueling revolutionary factions—the Convention versus the Paris Commune and the left-wing Jacobins (“The Mountain”) versus the right-wing Jacobins (“the Girondins”)—and explores the effects these politics have on the people who live them.
The French Revolution involves so many moving parts that it can be difficult to make sense of them and convey a sense of urgency about what’s happening. Neeleman manages to do just that, however, by wisely focusing on three extremely important figures who, in turn, overlap with other famous names. A sense of foreboding and tension ratchets up exponentially throughout the novel, as in a particularly grim scene in which increasingly hostile groups debate whether or not to have the king executed. While there are plenty of mentions of violence, including one politician’s “head on a pike, his mouth stuffed with hay, the body dragged naked through the streets of Paris,” those instances never feel gratuitous or overly graphic. Some of the dialogue can fall flat, especially when Neeleman attempts to work in past events to give readers some historical context for the current happenings. But the expository writing shines, both when covering political machinations and in quieter moments that help readers connect with these real figures of history as actual people: “Camille is feeling in his breast that pressure combined with ache that has become chronic. It has kept him up nights; it flared up during the queen’s trial and execution. Initially, he wondered if he was suffering a heart attack. He now has accepted that, indeed, it is his conscience. Nothing has surprised him so much as the realization that he has a conscience.” All of these components—the people, the places, the events both big and small—can be difficult to keep straight. Neeleman effectively leads the way with three-dimensional characters and an informed approach to this fascinating slice of history.
A well-researched, true-life drama that makes history—and the players in it—feel utterly alive.Pub Date: Oct. 15, 2024
ISBN: 9781948598781
Page Count: 457
Publisher: Open Books
Review Posted Online: Sept. 10, 2024
Review Program: Kirkus Indie
Share your opinion of this book
More by John Neeleman
BOOK REVIEW
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Awards & Accolades
Likes
184
Our Verdict
GET IT
New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Share your opinion of this book
More by Kathryn Stockett
BOOK REVIEW
by Riley Sager ‧ RELEASE DATE: Aug. 4, 2026
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Share your opinion of this book
More by Riley Sager
BOOK REVIEW
by Riley Sager
BOOK REVIEW
by Riley Sager
BOOK REVIEW
by Riley Sager
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.