by John Niven ‧ RELEASE DATE: Jan. 1, 2009
The protagonist’s venomous rants have the power to amuse, but ultimately they become infantile and tedious.
While the title is not quite meant to be taken literally, it does express the cynicism at the core of this novel by Niven (Music from Big Pink, 2005) about the contemporary music industry.
At the maelstrom’s center is London A&R man Steven Stelfox, who desperately desires to cease being an occasionally successful minion and be made head of his recording company’s Artist and Repertoire division. Stelfox is one of the most narcissistic and hateful characters in recent memory: Lying is natural to him, and his overdeveloped sense of competition makes screwing friends and colleagues as easy as breathing—or perhaps a more apt simile would be as easy as snorting lines of coke, a habit he liberally indulges. Stelfox inhabits a subculture pervaded by drugs, sex (kinky and otherwise), inauthenticity and materialism. He not only revels in this world, he wants to come out on top. The obstacles to his goal are formidable. Chief among them are airily arrogant artists like Rage, who’s received a formidable advance from the studio to produce an album freakishly incapable of attaining commercial success. (Rage wants to release an hour-long cut as a single and refuses to allow the company any edits.) Stelfox finds himself reluctantly promoting a new girl band called Songbirds. His first impression? “Imagine you’d got four fishwives together, filled them full of Special Brew, and told them to scream random, primal abuse at each other.” (Eventually they transform from semi-literate East Enders to catty artistes.) Other roadblocks standing between Stelfox and his dreams are a stable of vicious studio executives prone to goofing off and goofing up. When one of his greatest professional rivals is imported as the new director of A&R, Stelfox has to become, if possible, even more loathsome, devious and deadly.
The protagonist’s venomous rants have the power to amuse, but ultimately they become infantile and tedious.Pub Date: Jan. 1, 2009
ISBN: 978-0-06-169061-7
Page Count: 352
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
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by Stephen King ‧ RELEASE DATE: April 8, 1974
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
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by Stephen King & Peter Straub
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by Stephen King
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PERSPECTIVES
SEEN & HEARD
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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